En Russie, un vieux tsar, guerrier dans sa jeunesse, commence à avoir du mal à faire face aux puissances qui l'entourent. Fatigué, il fait appel à un mystérieux sage qui lui offre un Coq d'Or aux pouvoirs de sentinelle en échange, il lui promet de lui accorder plus tard un voeu. …
Opera lies at the heart of Rimsky-Korsakov’s colourful idiom, but performances are few and far between; this realisation of his penultimate and grandest stage work is a very rare and special experience. Kitezh is known as ‘the Russian Parsifal’, which encapsulates its mystical flavour and steady unfolding of a legend of redemption. A largely Russian cast (headed by the stunning Svetlana Ignatovich) and production team works within a set that moves from opulent naturalistic scenery to some startling theatrical coups worthy of Rimsky’s underrated dramatic instincts.
From a classical upbringing, to pop, jazz funk and jazz, Norby listens solely to her heart and evaluates the musical quality of melodies fully free of genre restrictions. It is a path between worlds that her ACT debut 'Arabesque' defined two years ago: She wrote her own lyrics to classical works, from Rimski-Korsakov and Ravel to Michel Legrand, and transported them to jazz with the aid of her husband Lars Danielsson and their band. Now, with her second ACT album 'Silent Ways' she goes back in the other direction to some extent.
Jailed as a scapegoat for Stalin's famines, Vavilov had traveled over five continents, collected hundreds of thousands of seeds in an effort to outline the ancient centers of agricultural diversity. Gary Paul Nabhan weaves together Vavilov's story with his own expeditions to Earth's richest agricultural landscapes and the cultures that tend them.
Rimsky-Korsakov epitomises the fantastic side of the Russian soul. Regarding opera as „essentially the most enchanting and intoxicating of lies,“ he drew on his country’s rich folk heritage to create a fairy-tale world in which the fanciful and commonplace were fused through extravagant orchestral virtuosity and fervently Romantic vocal writing. This Châtelet revival of Le Coq d’Or brings to the stage once again the great Kabuki actor Ennosuke III’s striking staging of Rimsky-Korsakov’s opera first mounted in co-production with the San Francisco Opera in 1984. Born into one of Japan’s most important Kabuki families in 1939, Ennosuke III is a master of his art, who has worked to give this traditional theatre form appeal for modern audiences. As an actor, director and producer his aim has been to bring back the energy and excitement of Edo-period Kabuki. High-tech special effects, dynamic lighting, stunning costumes and minimalist sets have drawn new fans to his ‘Super Kabuki’ shows. He worked on this sumptuous production of Le Coq d’Or with an all-Japanese creative team and the result had an Oriental beauty and fascination entirely appropriate to this satirical fantasy opera. Completed in 1907, Le Coq d’Or, based on Pushkin’s 1834 poem, was Rimsky-Korsakov’s last opera.