"Formed following the breakup of The Birthday Party in 1982, Nick Cave & The Bad Seeds have released sixteen studio albums, starting with From Her To Eternity in 1984. Their most recent album Skeleton Tree was released in September 2016. The band was started by frontman Nick Cave with multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. One of the most critically acclaimed acts working today, the band are known for their pioneering, bold and vital output. They have sold over 1 million albums in the UK to date, with 3 Silver and 5 Gold Albums. Globally Nick Cave & The Bad Seeds’ albums have charted 72 times in the Top 40, including 28 times in the Top 5, reaching No. 1 six times. The band’s influence has been profound and far-reaching with major artists, as diverse as Johnny Cash, Metallica, and The Arctic Monkeys, covering their work. Lovely Creatures is the first Nick Cave & The Bad Seeds best of album in 18 years. This collection will see one of the world’s most respected & remarkable recording & live bands showcase their 30 year long career to date. The Standard Digital version includes 21 carefully selected tracks. ∙ The Deluxe Digital version includes 45 tracks spanning over 3 decades of music.
Keeping the same line-up from Henry's Dream, Nick Cave and company turn in yet another winner with Let Love In. Compared to Henry's Dream, Let Love In is something of a more produced effort – longtime Cave boardsman Tony Cohen oversees things, and from the first track, one can hear the subtle arrangements and carefully constructed performances. Love, unsurprisingly, takes center stage of the album. Besides concluding with a second part to "Do You Love Me?," two of its stronger cuts are the (almost) title track "I Let Love In," and "Loverman," an even creepier depiction of lust's throttling power so gripping that Metallica ended up covering it…
Tracks 1 & 2 recorded at Abbey Road, London in July 1996. Mixed at The Church, London in September 1996.
Track 4 mixed at Sing Sing, Melbourne in March 1997.
This CD is not for sale separately, only available in Australia as a free disc with Nick Cave and the Bad Seeds' albums, coinciding with The Boatman's Call tour of 1997.
This music documentary weaves together performances from Nick Cave and the Bad Seeds' 2016 album Skeleton Tree with candid footage of Cave opening up about the death of his 15-year-old son. Directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford).
Reduced to a quartet for the most part, with Barry Adamson joining Nick Cave, Blixa Bargeld, Mick Harvey and Thomas Wydler on only a couple of tracks, the Bad Seeds turn from the interpretive triumph of Kicking Against the Pricks to another strong high, the mostly-original Your Funeral…My Trial. The one cover is a sharp, unsurprisingly dramatic version of Tim Rose's "Long Time Man." As for the rest of the album, Trial shows the Seeds working as, again, a remarkably accomplished and varied act, ever available and ready to explore a wide range of musics distilled into Cave's often dark, always passionate vision. Arguably Cave and company have by now so clearly established their overall style that Your Funeral…My Trial is much more a refinement of the past than anything else, but so good is their work that resistance is near impossible. If anything, the brooding power of the Seeds is more restrained than ever, suggesting destructive endings and overwhelming love without directly playing it.
Nick Cave has always seemed misplaced, of another era. An Australian whose ‘60s-retro skinny suits and 19th century face have lived all over Europe, Cave looks and sings like an old soul. His macabre rock ballads of murder and sorrow might be sung by an Edgar Allen Poe narrator stuck in a Flannery O’Connor story. Where his contemporaries have plowed the ruts left by the Beatles and the Stones, Cave has always been more interested in the American blues and country/folk traditions of John Lee Hooker and Johnny Cash: religion, sorrow, murder, insanity, alcohol, lust, and depression. I’ve often wondered what kind of personality the author of such lyrics as “this is a weeping song/ a song in which to weep” (“The Weeping Song”) exudes in day-to-day life.