Collection includes: 'Solid Pleasure' (1980); 'Claro Que Si' (1981); 'You Gotta Say Yes To Another Excess' (1983); 'Stella' (1985); '1980–1985 The New Mix In One Go' (1986); 'One Second' (1987); 'Flag' (1988); 'Baby' (1991).
Switching to Arista Records in the U.S., Eurythmics made their last album together with We Too Are One, and they went out in style. Calling upon a broad pop range, their seventh album was their best since Be Yourself Tonight in 1985. The sound was varied, the melodies were strong, and the lyrics were unusually well-crafted. In retrospect, the album can be seen as a dry run for Annie Lennox's debut solo album, Diva (1992); songs like "Don't Ask Me Why" (which grazed the U.S. Top 40) serve as precursors to the dramatic ballads to come. There is, however, an air of romantic resignation throughout We Too Are One, appropriate to its valedictory nature. The disc spawned four chart singles in the U.K. and returned Eurythmics to number one in the album charts, but it did not substantially improve Eurythmics' reduced commercial standing in the U.S., confirming that it was time for Lennox and Dave Stewart to pursue other opportunities.
This smoky-voiced singer/songwriter, whose sophisticated jazz-pop songs and dramatic vocal delivery place him somewhere between Bryan Ferry and Morrissey, hits his peak with the driving "Everything's Coming up Roses" (not the Jule Styne song).
Collection includes: A Tonic for the Troops (1978); The Fine Art Of Surfacing (1979); Mondo Bongo (1981); V Deep (1982).
On Be Yourself Tonight, Eurythmics' most commercially successful and hit-laden album, the duo meticulously blended the new wave electronic elements that dominated their previous sets with the harder straight-edged rock and soul that would dominate later sets to come up with a near-perfect pop album. This disc scored no less than four hit singles and kept them a mainstay on MTV's play lists during the channel's heyday. Fusing pop, soul, rock, electronic beats, and even gospel, this is arguably the duo's finest moment. The first hit, "Would I Lie to You," is a straight-forward rocker, complete with great guitar licks, a soulful horn section, and Annie Lennox sounding as vicious and vivacious as ever. The second single, which was a huge chart topper in Europe, "There Must Be an Angel," is nothing short of shimmering beauty, with Lennox providing truly angelic vocals and Stevie Wonder lending an enchanting harmonica solo.
Touch is the third studio album by the British new wave duo Eurythmics, released on 26 November 1983. The album was the duo's first UK number-one album, and also reached the top 10 in the US. It has since been certified Platinum in the US and Silver in the UK. It was rated #500 on Rolling Stone's The 500 Greatest Albums of All Time. In 2012, the album jumped to #492 on a revised list.
The Joshua Tree is the fifth studio album by rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 by Island Records. In contrast to the ambient experimentation of their 1984 release The Unforgettable Fire, on The Joshua Tree U2 aimed for a harder-hitting sound within the limitation of conventional song structures. The album is influenced by American and Irish roots music, and depicts the band's love–hate relationship with the United States, with socially and politically conscious lyrics embellished with spiritual imagery. Rolling Stone magazine ranked the album at number 27 on their 2012 list of "The 500 Greatest Albums of All Time", calling it "an album that turns spiritual quests and political struggles into uplifting stadium singalongs".
Eurythmics' breakthrough album is a deft mix of electronic thrills, new wave chills, and sultry R&B, the latter supplied by Annie Lennox's warm tenor. Pretty much relying on themselves, Lennox and Dave Stewart slip past the music's usual coldness and into a territory all their own. It can be smug (the new wave here is served with a side of irony) and a tad dull (the long, operatic pieces serve little purpose), but the payoffs – "Love Is a Stranger" and, especially, the magnificent title tune – are among the finest the genre has to offer.
Genesis started life as a progressive rock band, in the manner of Yes and King Crimson, before a series of membership changes brought about a transformation in their sound, into one of the most successful pop/rock bands of the 1980s and 1990s. In addition, the group has provided a launching pad for the superstardom of members Peter Gabriel and Phil Collins, and star solo careers for members Tony Banks, Michael Rutherford, and Steve Hackett…