Osprey Publishing is an Oxford-based publishing company specializing in military history. Predominantly an illustrated publisher, many of their books contain full-color artwork plates, maps and photographs, and the company produces over a dozen ongoing series, each focusing on a specific aspect of the history of warfare. Osprey has published over 2,300 books (as Sept,2012). They are best known for their Men-at-Arms series, running to nearly 500 titles, with each book dedicated to a specific historical army or military unit.[/quote
The twenty sonatas on this recording show Handel writing for the professional musicians of his London opera orchestra; they demand considerable skill and stamina both from the soloist and the continuo. Prominent bass parts give the sonatas a contrapuntal strength and vitality, and Handel keeps the elements of display and purely musical argument in admirable balance in these works. For this reason, they are among the most attractive Baroque solo sonatas and deserve their lasting popularity.
London Baroque offers another installment in its ongoing European Trio Sonata series, this time devoted to 18th-century Italy; as with the ensemble’s previous efforts the program features generally excellent performances of lesser-known repertoire. Ten years ago I reviewed a similar 18th-century Italian program by this same group titled “Stravaganze Napoletane”, also on BIS, and was generally impressed with the performances–except for one piece: Domenico Gallo’s Sonata No. 1 in G major.
Each book in the Elite series focuses on the description of an army, an elite unit, military tactics or groups of units famous commanders. …
Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.
The official 25th anniversary collection. 63 tracks all remastered, 20 previously unreleased / alternative versions. 60 page book containing full band history plus rare photographs, memorabilia & full discograhy…
The viol consort was introduced to England in the early sixteenth century and was mainstay of domestic music until the middle of the seventeenth century. After the Restoration of Charles II to the throne in 1660, things rapidly changed with the rise in popularity of the violin amongst court musical lfe and amateurs. Composers soon ceased to contribute to the viol consort repertory, with some of Purcell's contemporaries such as Roger North regretting the change. North acknowledged that the violin was 'very excellent in it's kind', but thought that the 'noble Base Viol' embodied all its 'sublimitys'. As North recognised, the viol was not entirely supplanted by the violin in the Restoration period. The bass viol remained in use as a continuo instrument in chamber music until the early eighteenth century, and the instrument acquired a new repertory of solos, duet and trios with continuo. This recording is a survey of this little-known but rewarding repertory.