In this lesson, John Renbourn presents a wide variety of fingerstyle arrangements from traditional ballads to country blues, from a Booker T. & the MGs rock instumental to the church hymn Abide With Me. All receive the special touches of John's unique playing, and are explained in detail with the help of split-screen video techniques that allow the student to clearly see and study what each hand is doing.
An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. Raised by parents firmly rooted in their rural Kentucky background, at age 14 Prine began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, Prine became a fixture on the Chicago folk music scene in the late '60s, befriending another young performer named Steve Goodman…
A two-hour epic on the art of modern Rock Guitar. After a valuable segment on warming up, John Petrucci (Rock Theater) covers how to develop speed and accuracy, chromatic exercises, playing with dynamics, connecting scale fragments to form long solo lines and much more.
The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A sweet 70s set from the ultra-hip rhythm duo of bassist John Lee and drummer Gerry Brown – working here in a European setting with loads of great reed work to support the "bamboo" vibe of the title! Flute player Chris Hinze blows both bamboo and regular flute – and the feel of the set is like some of his excellent fusion dates from the same time – but the record also has lots of great work from Gary Bartz on alto and soprano sax, plus some keyboards from Hubert Eaves and Jasper Van'T Hof – two very different players who balance out the mood nicely. Some tracks are full-on fusion, but they're offset by mellower, more introspective passages – of the sort that really let the reed players come out strongly – and titles include "Jua", "Rise On", "Who Can See The Shadow Of The Moon", "Infinite Jones", and "Deliverance".
Both Volumes I and II of Jazz-Funk Guitar on one DVD. In Volume I, John's multi-faceted style is covered in depth as he discusses intervallic ideas, string-skipping, chordal concepts, playing ideas across the fingerboard, and developing a personal sound. In Volume II, John covers the compositional aspect of his style as he analyzes the songs performed on this DVD and reveals the correct chord voicings and melody lines. Using his own tunes, John goes over concepts such as chromaticism, form, contour, voice-leading, pedal tones, and contrary motion.
is an album by the Australian singer Olivia Newton-John, released in 1981. The album was a massive success, peaking in sixth place on Billboard 200and ranking double platinum. This was also Newton-John's first and only album to chart R&B, peaking at number thirty-two. With country music completely overlooked for this album, this unsurprisingly became Newton-John's first studio album not to chart country since her 1971 debut, If Not for You. Physical is the best selling album by a female Australian singer, selling 10,000,000 copies worldwide.