What happens when you take a master of progressive rock and an accomplished Nashville producer engineer, and put them together with a host of top-flight Nashville session players to reinterpret one of the most revered 70s prog double-albums? In the case of Spock s Beard drummer Nick D'Virgilio and producer engineer Mark Hornsby, you get Rewiring Genesis A Tribute To The Lamb Lies Down on Broadway, and it's fantastic. While the original featured layers of classic synthesizers (ARP, Mellotron, etc.), there's none of that fake string or choir stuff going on here. Besides rock guitar, bass, and Nick's great drumming (and tasteful lead vocal work), The Lamb is filled with real strings, huge vocal arrangements, horn sections, and even some accordion! Clearly, it's not attempting to simply re-record the classic, it's a fresh and beautiful sounding reinterpretation.
The Lamb Lies Down on Broadway is the sixth studio album from the English rock band Genesis, released as a double album on 18 November 1974 on Charisma Records. It is their last studio album released with Peter Gabriel as lead singer. It is a concept album about a New York street kid called Rael and his quest for spiritual self-discovery. It was followed by a six-month tour which has been described by the Rock and Roll Hall of Fame as "a spectacle on par with anything attempted in the world of rock to that point". It is one of two Genesis albums to be included in the top ten of Rolling Stone's "50 Greatest Prog Rock Albums of All Time", who ranked it at number nine and acclaimed it as "one of rock's more elaborate, beguiling and strangely rewarding concept albums"…
Two inept press agents are ordered to the island of San Sebastian to get a zombie for an opening night publicity stunt of a nightclub. They find a likely source in Dr. Paul Renault, who has spent much time studying (and experimenting) on the subject, but Renault has other ideas.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hammond hero Reuben Wilson's on Broadway – and he hits a massively soulful groove that's light years from the cliched sounds of the great white way! The set's one of the tightest cookers from Wilson's early years on Blue Note – and has a vibe that's a bit different than the rest, thanks to some compelling rhythmic elements that push things past a Lou Donaldson groove, and more into that chunky approach to organ jazz that Wilson would explore later on the Groove Merchant label.