This is a soul-stirring release performed by Pat Metheny and a plethora of friends, all great jazz musicians in their own right. Works II is a compilation of his finest work, spread out from the years 1976 to 1984. This guitarist/composer/bandleader became one of the leading names in the jazz genre during the '70s and '80s. This collection of beautifully written numbers reflects his character of good taste and the unique flavor of his graceful, even-flowing solos. Opening with "Unquity Road," Metheny is joined by the legendary Jaco Pastorius on bass and Bob Moses on drums. The soothing sweeping tones of his guitar blends in charmingly with Moses pulsating percussion and the rousing basslines of Pastorius.
There's a bit of a role reversal going on with this one. Trumpeter Cuong Vu—a Pat Metheny devotee from the time he first heard the guitarist's Travels (ECM, 1983) as a teenager—eventually came to join the Pat Metheny Group, enhancing the sound of the band on a pair of Grammy-winning albums: Speaking Of Now (Warner Bros. 2002) and The Way Up (Nonesuch, 2005). Now Metheny returns the favor, joining Vu's crew for this expansive outing.
This live American concert in 1992 emerged on cd at about the same time as the Geffen release "The road to you" which was culled from PMG's european concerts in the early 90's. While this current selection may not quite equal that release in the quality of the sound, it is a much better live performance overall. There are a couple of small blips in the performance but this is live and taken from one concert. Raw Metheny but edge of your seat performance.
Despite the somewhat misleading title, Cuong Vu Trio Meets Pat Metheny, trumpeter Cuong Vu has a lengthy history with the legendary jazz guitarist that goes back to Metheny's Grammy-winning 2002 album, Speaking of Now. Since then, Vu has played with Metheny enough that he is a regular part of the conversation when discussing the guitarist's more adventurous contemporary works. Despite his pedigree, having graduated from the New England Conservatory and worked with such luminaries as David Bowie, Myra Melford, Laurie Anderson, and others, Vu is a maverick. A highly gifted, forward-thinking musician, Vu often eschews the more clarion, declarative aspects of his chosen instrument in favor of macabre growls, dampened tones, and improvisatory lines that skitter forth with the mad convulsions of a housefly.
Excellent addition to any jazz music collection
Pat Metheny is one of the world's best-selling jazz musicians. He must be the one jazz guitarist whose albums are likely to appeal to lovers of symphonic prog - particularly his epics IMAGINARY DAY and THE WAY UP.
Considering the embryonic Pat Metheny Group recorded WATERCOLORS as long ago as 1977, it's remarkable that most of the characteristics of Pat's definitive style are already in place.
Essential: a masterpiece of Jazz-Fusion music
"New Chautauqua" is one of Metheny's most solitary and melancholy albums. Pat Metheny is a man who loves to travel. We can say this not only because he does about a billion concerts every year, but his main themes in his music are about the road, exploring the urban world, but also more isolated places. I feel that with "New Chautauqua" Metheny is in one of these places. This LP is once again a nice and enjoyable gem of Jazz music, something to not underrate and to listen to with care.
The first recording by the Pat Metheny Group features the innovative guitarist along with keyboardist Lyle Mays, bassist Mark Egan, and drummer Dan Gottlieb. The music is quite distinctive, floating rather than swinging, electric but not rockish, and full of folkish melodies. The best known of these six Metheny-Mays originals are "Phase Dance" and "Jaco." This music grows in interest with each listen.
Guitarist Pat Metheny had long expressed admiration for Ornette Coleman's music, had recorded his compositions, and had worked extensively with bassist Charlie Haden, so a collaboration was not totally unexpected, though who would have guessed that it would be on the Geffen label? Metheny's almost rock star status has worked against him in other partnerships from time to time (notably, his overbearing playing on his project with Derek Bailey, The Sign of 4), but here he happily sublimates his showier instincts and works as sympathetic co-leader, deferring to Coleman's experience and genius.