Features 24 bit remastering and comes with a mini-description. Paul Smith is well-known to jazz fans for his sterling accompaniment on a number of Ella Fitzgerald's best albums, particularly Ella in Berlin. But the veteran pianist has recorded quite a bit on his own, though few of his LPs (like this Warner Bros. album from the 1960s) have been reissued on CD. Joining him on this trio date are bassist Wilfred Middlebrooks (who worked alongside Smith with Ella) and drummer Frank Capp.
Après des études au conservatoire de Toulouse, Paul Lay entre au CNSM de Paris au sein du département Jazz et Musiques Improvisées et travaille notamment avec Hervé Sellin, François Théberge, Glenn Ferris et Dre Paellemearts. Il poursuit le cycle de perfectionnement du CNSM de Paris en étroite collaboration avec Ricardo del Fra et à l’occasion de travailler avec Joey Baron, Marc Johnson, Archie Shepp, Michel Portal, Marc Ducret, Louis Sclavis. Il est lauréat de plusieurs concours internationaux dont le Concours International Piano-Jazz de Moscou en 2005, le Concours International Piano-Jazz Martial Solal en 2006, le Concours International de Piano-Jazz de Montreux en 2007.
The two enticingly swinging sessions brought together here find pianist Paul Smith in typically well-crafted form, with “The Big Men” a joyously engaging date in which he is heard performing solo or in a trio. Much skill, considerable feeling, and unceasingly ebullient energy transform this album into a thoroughly listenable program of modern jazz, throughout which his lines show strong classical influence and clear indication of his imposing compositional talent (Theme for Theda). The playing of the trio is crisp and knowing, and there are moments of brilliant musicianship by Smith with the fine support of Vinnegar and Levey, two swingers who keep the pulse vibrant.
This live 1995 recording from New York's Village Vanguard club features drummer Paul Motian, guitarist Bill Frisell, and tenor saxophonist Joe Lovano turning in a stellar set of jazz covers and Motian originals (this is the same trio the drummer led in the late '80s and recorded high-profile tributes to Bill Evans, Thelonious Monk, and Tin Pan Alley with). As the premium sound quality of the recording makes clear, this trio had an almost telepathic rapport on stage, inspiring each other in both ensemble playing and solo flights.
Guitarist Lou Pallo, …, has an album coming out on September 11 that pays tribute to his late friend and bandmate Les Paul. Titled Thank You Les: A Tribute to Les Paul, the 21-track disc covers a range of styles pop, jazz, country, rock and blues all tastefully…
This was one of the stranger recordings issued by Konnex at the time, in that the band listed as playing 4,4,4 (in five parts) isn't the only band on the record. After the quartet's five selections are played through, a new band consisting of Stevens with violinist Nigel Coombes and guitarist Roger Smith improvises "Surfaces" for over 23 minutes! There is no information on the front cover to denote such a thing. Oh well, those Brits. As for the seasoned quartet on "4,4,4," strange, haunting, and beautiful are the words that describe the result of their latest collaboration.
Over the past 2 years, recording artists Donna Deussen (vocals) and Paul Weitz (guitar) have been developing unique arrangements for both duo and full band settings. The result of their efforts is their new co-produced CD, “On The Street Where You Live.” The CD features Matt VanBenschoten on bass, Gus Duffy on drums, Wayne Wayne on sax, and Geoff Nudell on clarinet and flute. Join all six musicians for their CD Release Party on Saturday…
Birth of a great new band, captured live at New York’s celebrated Village Vanguard, with repertoire emphasizing Paul Motian’s wonderful ballad writing. New Motian tunes are juxtaposed with “Bird Song” (from “Tati”) and “Drum Music” and “Abacus” (first heard on Paul’s now legendary album “Le Voyage”). A free exploration of Irving Berlin’s “Be Careful It’s My Heart” completes a programme distinguished by gloriously supple playing from all three participants who are in tune at a high level. Or, as the New York Times noted, reviewing the concerts from which this album was drawn: “The accumulated wisdom within the band was clear.”