In May 2006, Leonard Cohen published his first collection of poetry in 22 years, Book of Longing, having previously used some of the material as songs on his most recent albums, Ten New Songs (2001) and Dear Heather (2004). The book touched on many of the themes he had explored throughout his writing career, including spirituality (he had spent part of his time between books as a postulant at a Buddhist monastery), eroticism, and self-deprecating humor. On June 1, 2007, at the Luminato Festival in Toronto, Ontario, composer Philip Glass premiered his song cycle based on Book of Longing, which is here given a two-CD recording. Cohen is present on the album speaking (not singing) some of his poems, and Glass also has set some of them to music, with singing by a soprano (Dominique Plaisant), a mezzo-soprano (Tara Hugo), a tenor (Will Erat), and a bass-baritone (Daniel Keeling).
Pianist and composer Anton Batagov is one of the most influential Russian musicians of our time. As a performer Batagov introduced the music of John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. On this his debut recording with Glass s record label Orange Mountain Music, Batagov offers a recital of Glass s music which is personally important to him, music which has never been heard on solo piano. Three of the four tracks offered on Batagov s program are from Glass s epic opera Einstein on the Beach - Trial, Night Train, and Knee Play 5. These pieces capture the sound of a particularly expansive moment in Glass s career as he transitioned from hard core Minimalism to a more expressive medium. That artistic pivot is captures in Batagov s mystical reading of Prophecies from Koyaanisqatsi. In 2009, after a hiatus of 12 years from live performance Batagov returned to the stage presenting a series of unique solo programs including this program which was recorded in Moscow in November 2015.
Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
This volume focuses on love, one of Philip Glass’s most glorious themes. The timeless melancholy of his BAFTA award-winning music for The Hours forms an organic suite driven by the film’s three powerful characters, here complete with unpublished tracks. The breathtakingly energetic Modern Love Waltz expands the limits of minimalism by combining Glass’s style with Viennese dance tradition, while his transcription of Notes on a Scandal is a recording première. Steve Reich described the iconic Music in Fifths as being “like a freight train”. Recognized as a leading interpreter of Liszt’s music, Nicolas Horvath has in recent years become one of the most sought after pianists of his generation. Holder of a number of awards, including First Prize of the Scriabin and the Luigi Nono International Competitions, he frequently organizes events and concerts of unusual length, sometimes over twelve hours, such as Philip Glass’s complete piano music or Erik Satie’s Vexations, and composers from a number of countries have written for him. Nicolas Horvath is a Steinway artist.
The music on this recital was specifically written or arranged for duo violinists Angela and Jennifer Chun. It highlights the personal and professional connections between Philip Glass and Nico Muhly, a longtime colleague and admirer of Glass's work. Glass's miniaturist works, Mad Rush and In the Summer House, create a maximum effect when paired with Muhly's minimalist Four Studies and Honest Music.
This program reverses time, revealing the Metamorphosis in Glass’s work from his 1980s film and theatre transcriptions, through The Olympian composed for the Los Angeles Olympiad, to rarities such as the dream-like Coda. The Trilogy Sonata highlights Glass’s renowned operas from the celebratory Akhnaten Dance to the stately Satyagraha and landmark Einstein on the Beach. The dazzling pulse-patterns of Two Pages make it a milestone of minimalism, while the Sonatina No. 2 is a pre-minimalist work composed when Glass was a student of Darius Milhaud at Juilliard.
Following the recent successful albums of his transcriptions of music by Philip Glass, pianist Michael Riesman presents a new album of solo transcriptions and arrangements from Philip Glass's opera Beauty and the Beast. In Glass's music, the power of the creative and the raw world of nature, represented respectively by Beauty and the Beast, finally emerges and allows the world of imagination to take flight.