Forgive the repetition: old classical music, played by a former old classical …
We know now that Purcell's three Funeral Sentences were not written for the funeral of Queen Mary in 1695. Following the tradition of the English court, it was pieces by Thomas Morley, originally written for the funeral of Elizabeth I, that were sung there. Purcell's only contribution to the ceremony was the composition of two pieces for slide trumpets (March and Canzona), and the anthem in the archaic style Thou knowest, Lord. During the funeral procession to Westminster Abbey, a band of oboes played two marches written by John Paisible and Thomas Tollet. This recording assembles the music composed for the funeral of Queen Mary and that used at the funeral of Elizabeth I in 1603.
John Dowland’s Lachrimae Pavans is considered one of the greatest works in the canon of English chamber music. Based upon his famous song “Flow My Teares”, the seven pavans – "Seaven Teares", as Dowland called them – present an extraordinary exploration of the contrapuntal and harmonic possibilities offered by the theme. In this remarkable recording, baroque violinist John Holloway creates a concert programme around the lachrimae Pavans. Threaded between Dowland’s masterpieces are works of other major composers of his era – Henry Purcell, William Lawes, John Jenkins, Thomas Morley and Matthew Locke. In bringing together these works of strongly contrasting colour and character Holloway and company give us a vivid sense of the great flowering of consort music which took place in England in the 17th century.
The dynamic ensemble Brecon Baroque was founded in 2007 by violinist and director Rachel Podger as resident ensemble at her annual Brecon Baroque Festival.The international line-up consists of some of the leading lights in the period-instrument world,such as cellist Alison McGillivray,flautist Katy Bircher,oboist Alexandra Bellamy and violist Jane Rogers,as well as some of Rachel's former students who now occupy leading positions in many of Europe's finest ensembles:violinists Bojan Cicic and Johannes Pramsohler.
Vivaldi augmented his reputation as The Red Priest with L'Estro Armonico , Op. 3, a collection of twelve concertos for one, two and four violins. The title of the collection encapsulates the qualities that so entranced Vivaldi's contemporaries. L Estro Armonico , which might be translated as musical rapture , reflects the vitality and freshness of Vivaldi's invention: its rhythmic energy, melodic and harmonic intensity,textural sensuousness,performative brilliance and dramatic flair.