A byproduct of the bossa nova fad that followed the success of "Desafinado" (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and exploiting bossa nova rhythms in his arrangements for a big band. The personnel includes flugelhornist Clark Terry, altoist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall, and (on "Soul Bossa Nova") the remarkable Rahsaan Roland Kirk.
Recorded as a tribute to Jones, and featuring re-interpretations of songs associated with him, it is Jones' first original album since 1995's Q's Jook Joint. Jones serves as executive producer. Regarding the forthcoming album Jones stated, "Each artist picked a song that resonated with them for different reasons. I am honored that everyone wanted to be a part of this celebration of these songs. They all made them their own and knocked them out of the park."
Quincy Jones's 1962 Brazilian jazz classic is back in print after many years, due no doubt to "Soul Bossa Nova"'s inclusion on the AUSTIN POWERS soundtrack. In addition to that show-stealer, BIG BAND BOSSA NOVA delivers Jones's takes on several samba classics, including "Desifinado" and the timeless classic, "One Note Samba."
Love, Q features some of producer/composer/arranger/trumpeter and music legend Quincy Jones' best-known love songs. Spanning a nice swath of time from the '70s through the '90s, the collection focuses on Jones' R&B-oriented material. Included here are such stellar tunes as the steamy Leon Ware/Bruce Fisher number "Body Heat," Patti Austin's lyrical "Love Me By Name," and the Tevin Campbell feature "Everything." While this isn't the definitive Jones compilation, or even as complete a picture as Hip-O's previous Jones package, Ultimate Collection, it is still nice to have all these "quiet storm"-ready tracks in one place.
The groove is loose and deep on these studio sessions recorded as backing music for the original Bill Cosby Show sitcom in 1969. Despite the title, Bill Cosby appears on only one track here, the vocal version of "Hikky-Burr," where he improvised his entire part. Quincy Jones directed these sessions with bassist Ray Brown acting as bandleader on all but one cut (the Cosby selection). Other players came from a revolving cast that included Joe Sample on Fender Rhodes; pianists Les McCann, Clare Fischer, and Monty Alexander; drummers Paul Humphries and John Guerin; bassist Carol Kaye; guitarist Arthur Adams; vibists Milt Jackson and Victor Feldman; saxophonists Eddie Harris, Ernie Watts, and Tom Scott…
This themed album from Quincy Jones and his orchestra contains songs from around the world, as the title suggests. Around the World was aimed at fans who like their quality big band music easy on the ear, for though there is some nice soloing by Clark Terry, Phil Woods, Sahib Shihab and Benny Bailey, these are primarily lushly voiced atmospheric arrangements delivered by a brilliant, airy and swinging band. Released in 1961, the LP includes several original numbers and a handful of standards.