This absorbing project finds Australian composer Brett Dean and Estonian composer Erkki-Sven Tüür drawing inspiration in very different ways from the music, life and times of Carlo Gesualdo and juxtaposes these reflections with Gesualdo’s own music. The music of Carlo Gesualdo, Prince of Venosa (1566-1613) has exerted a powerful influence on composers down the ages. His highly-charged, mannerist, idiosyncratic vocal music constitutes “a gallery of dramatically-lit portraits of human emotions with a heavy emphasis on the extremes of joy and despair” (to quote former Hilliard Ensemble singer Gordon Jones).
Phantom Navigator is the seventeenth album by jazz saxophonist Wayne Shorter, that was released on Columbia in 1987.
Beyond category or idiom, audacious in its very idea, Herbie Hancock and Wayne Shorter perform a little over an hour of spontaneous improvised duets for grand piano and soprano sax. That's all no synthesizers, no rhythm sections, just wistful, introspective, elevated musings between two erudite old friends that must have made the accountants at PolyGram reach for their Mylanta. Hancock's piano is long on complex harmonies of the most cerebral sort, occasionally breaking out into a few agitated passages of dissonance. His technique in great shape, Shorter responds with long-limbed melodies, darting responses to Hancock's lashings, and occasional painful outcries of emotion.
Jeff Wayne's Musical Version of The War of the Worlds is the debut studio album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells, released September 6, 1978. A concept album, its main format is progressive rock and string orchestra, using narration and leitmotifs to carry the story via rhyming melodic lyrics that express the feelings of the various characters. The two-disc album remains a bestseller, having sold millions of records around the world, and by 2009 it was the 40th best selling album of all time in the UK with sales of 2,561,286. It has since spawned multiple versions of the album, video games, DVDs, and live tours.
Originally released in 1964 and 1965 on the Fontana label. Included among the ranks of The Mindbenders were future 10cc members Eric Stewart (at the time of these recordings) on guitar and vocals, and later (1968) Graham Gouldman on bass. For straightforward solid meat'n'potatoes British Beat, one need look no further than Wayne Fontana & The Mindbenders. What they lacked in originality they more than made up for in good old-fashioned exuberance and panache.