Alto saxophonist and composer Robin Kenyatta made a slew of records in the 1970s that have been terribly misunderstood, to say the least. It was obvious by the time that Kenyatta released Terra Nova in 1973 that he was revisioning jazz as the perfect integration point for many – if not all – forms of popular music; Terra Nova had explored Caribbean rhythms (in particular reggae and calypso). But on his 1974 album Stompin' at the Savoy, Kenyatta took the revered jazz tradition and inserted it right into the heart of then contemporary styles of funk, soul, and pop, and even early club disco.
Travis McGee, hero of 21 disposable paperback adventures, still has a huge and devoted following 26 years after the last of these tales was written. Why the enduring appeal of this fictional Florida-based knight-for-hire? Combine the best qualities of Magnum, Rockford, Bond, and Robin Hood, and then add some samurai-style philosophizing and rueful self-awareness and you will get some idea. If you haven't experienced Travis McGee yet, it is not too late.
The Franco-Flemish composer, Johannes Ockeghem, sang at Antwerp at the Bourbon court before joining the French royal chapel in 1451. Ockeghem spent most of his professional life at the French chapel and his output was quite prolific. He composed 14 settings of the Mass, including one of the earliest polyphonic versions of the Requiem. Ockeghem also composed numerous motets and secular songs. He was one of the most original voices in early Renaissance polyphony and his music dazzles with its ingenuity and beauty.