Award-winning conductor Vasily Petrenko’s exceptional abilities as a renowned, inspiring conductor with major media appeal set him apart from the majority of his contemporaries. He is the youngest ever Principal (now Chief) Conductor of the Royal Liverpool Philharmonic and will add the role of Chief Conductor of the Oslo Philharmonic beginning with the 2013/2014 season. His commitment to musical education has led him to act as Principal Conductor or the National Youth Orchestra of Great Britain and to be a founding member of the board of the UK’s "Building on Excellence: Orchestras for the 21st Century” scheme, which endeavours to increase the participation in classical and cultural events amongst British youth.
BIS present two works composed by Sergei Rachmaninov, featuring virtuoso pianist Yevgeny Sudbin alongside the Singapore Symphony Orchestra under Lan Shui. Rachmaninov composed Rhapsody on a Theme of Paganini after a seven-year silence, and consists of 24 variations taken from Paganini’s 24th Caprice for solo violin. The Rhapsody was soon followed by his Third Symphony. Its themes have a marked Russian character used with great subtlety.
Symphony No.1 in D minor, Op.13 is significant in the creative biography of S. Rachmaninov. The special traits of the musical language typical of the composer are vividly revealed in the symphony. "Vocalise", Op.34 No.14 - is one of Rachmaninov's most popular works. It was written in 1915 and dedicated to an outstanding Russian singer, A. Nezhdanova. Artistic perfection, extraordinary plasticity and beauty of a melancholic melody, and lucidity rate the work among the best samples of the world's vocal literature.
EMI's two-disc set Rachmaninov: Orchestral Works offers listeners a solid foundation of the Russian composer's symphonic literature. As with many collections that call upon existing recordings to combine into one anthology, performance quality varies.
Horacio Gutierrez was born in 1948 in Habana... In 1970 Horacio Gutierrez took part in the 4th International Tchaikovsky Competition and got the title of laureate.from the LP cover
Andre Previn’s name has become synonymous with the work. In this, his latest version, the interpretation is more daringly expansive and slower to evolve than ever before - he takes nearly eight minutes longer than the more urgent Ashkenazy on Decca - but ultimately the conviction of the performance wins through. The playing is a delight -sample the clarinet solo in the long adagio, surely one of the loveliest tunes ever written, critics notwithstanding! With a generous ambience, natural balance, and 'bloom' so characteristic of Telarc productions, the recording perfectly complements the performance.
Peter Herring, Classical Music on Compact Disc
Nowadays, Tchaikovsky’s 1st 3 symphonies seldom appear on the concert programmes, whereas his symphonies 4 to 6 – in other words, the symphonies generally recognized as masterpieces – are regularly included. Thus the 3 early symphonies share a fate that none of them have necessarily earned. After all, each in its own individual way is a worthwhile symphony: the composer certainly did not consider them to be preliminary works, a type of precursor to the later symphonies. From 1866 to 1878, Tchaikovsky taught harmony at the Moscow Conservatoire & during this period, he composed – among other works – his 1st 3 symphonies, namely in 1866, 1872, & 1875. For Tchaikovsky, the journey leading to the symphony was not easy: on the contrary, he trod a painful path before tapping into this high-end genre.