Boris Giltburg's 2016 release on Naxos consists of two sets of piano pieces by Sergey Rachmaninov, the Études-tableaux, Op. 39 (1916-1917), and the Moments musicaux, Op. 16 (1896). The Études-tableaux are a cross between technical studies and character pieces, reminiscent of the etudes of Frédéric Chopin, and they present considerable challenges, even to virtuoso pianists. Here, Giltburg displays his remarkable skills, as well as a range of expressions that run from the fiery and turbulent to the atmospheric and melancholy. In the Moments musicaux, Rachmaninov experimented with short forms, such as the nocturne, etude, funeral march, barcarolle, and theme with variations, and these pieces demonstrated his mastery of piano technique, if not yet his full maturity as a composer. Giltburg's playing brings out a variety of colors and textures, and his passionate interpretations accord with Rachmaninov's youthful, ardent style.
Pianists Martha Argerich and Nelson Freire are stupendous virtuosos, and there's nothing in this recording of their 2009 Salzburg recital of staggeringly difficult works they cannot play. They know each other so well as old duo piano partners that their playing is stunning in its unity, but their distinctive individuality also comes across. What's most impressive about this recital is how completely Argerich and Freire have made this music their own. Brahms' Haydn Variations sound freer and fresher, more playful, and more profound than ever. Rachmaninov's Symphonic Dances are thrillingly rhapsodic, rapturous, and dramatic. Schubert's Grand Rondeau is more lyrical, intimate, and graceful than usual, and Ravel's La Valse more ecstatic and apocalyptically over-the-top frightening than in any comparable recordings, including Argerich's own earlier releases. Captured in wonderfully clear yet wholly present digital sound, the performances on this disc will be compulsory listening for anyone who loves music, any music.
This release - set for March 2017 - is a piece of history: it is a combination of unreleased and historic audio and visuals. It allows a unique view of the enigmatic maestro Grigory Sokolov’s life because it offers an opportunity to hear authentic performances from over ten and even twenty years ago accompanied by a brand-new film by Nadia Zhdanova.