Rachmaninov

Vanessa Benelli Mosell - Rachmaninov: Piano Concerto No. 2 - Corelli Variations (2017)

Vanessa Benelli Mosell - Rachmaninov: Piano Concerto No. 2 - Corelli Variations (2017)
Classical, Piano | MP3 CBR 320 kbps | 00:54:12 | 125 MB
Label: Decca | Release Year: 2017

Following the success of her first two albums, which established Vanessa Benelli Mosell as a successful classical artist (pupil of Stockhausen and devotee to the development of classical music), her third album with Decca focusses on mainstream repertoire. Accompanied by the London Philharmonic Orchestra and conducted by Kirill Karabits, this album presents Rachmaninov’s Piano Concerto No.2, considered one of the most popular pieces for piano. Featured in several films (including The Seven Year Itch), it appears very often in concert programmes worldwide. The concerto is coupled with one of Rachmaninov’s most popular pieces for solo piano, Variations on a Theme of Corelli, Op. 42, which traditionally combines strong virtuosic playing with deep thinking.
Prague Philharmonic Choir, Jaroslav Brych - Rachmaninov: Vespers, Op. 37;  Liturgy of St John Chrysostom, Op. 31 (2007)

Sergey Rachmaninov - Vespers, Op. 37; Liturgy of St John Chrysostom, Op. 31 (2007)
The Prague Philharmonic Choir; Jaroslav Brych, conductor, Soloists

EAC | FLAC | Image (Cue&Log) ~ 219 Mb (incl 5%) | Mp3 (CBR320) ~ 174 Mb (incl 5%) | Scans included
Genre: Classical, Sacred, Choral | Label: Praga Digitals | # PRD 350 043 | Time: 01:01:32

The Prague Philharmonic choir join over a dozen others who have recorded Rachmaninov’s All-Night Vigil, a work once thought the special property of the Russian choirs who are, of course, prominent in the lists. The Czechs sing it without a cantor, and more as a concert work than some of the others do. Though they take the famous scale in the Nunc dimittis, descending to a profound B flat, in their stride, they are not as sonorous as some others, and their particular contribution is to sing the music lightly and flexibly, with a lively response to the words. They have excellent sopranos, safe in intonation when attacking the exposed high entries in thirds which are a feature of the music, and a good tenor for the three numbers that involve him as a soloist. The Magnificat, with all its tempo changes and shifts of register, is expressively done, as are the light rhythms of ‘Blessed art Thou, O Lord’.
Michael Grebanier, Janet Guggenheim - Rachmaninov: Complete Works For Cello And Piano (1999) (Repost)

Michael Grebanier, Janet Guggenheim - Rachmaninov: Complete Works For Cello And Piano (1999)
XLD | FLAC (tracks+.cue, log) | Covers Included | 62:35 | 263 MB
Genre: Classical | Label: Naxos | Catalog: 8550987

A majority of well-known composers have written at least a few chamber compositions in their entire lifetime. The most famous would have to be Mozart, Beethoven, Brahms, and probably Prokofiev. Some, including Respighi and Vaughan Williams, are overlooked or even rejected in today's society. Whether it's because of lack of originality or excessive complexities, these sorts of compositions are always left in the dark. Take Rachmaninov's Cello Sonata, for instance. This 35-minute work doesn't receive the complete recognition it deserves. It's overshadowed by the composer's piano concertos and symphonies, all of which are respectfully first-rate works in their own right.

Sergej Rachmaninov - His Complete Recordings: Box Set 10CDs (2005)  Music

Posted by Discograf_man at Nov. 26, 2016
Sergej Rachmaninov - His Complete Recordings: Box Set 10CDs (2005)

Sergej Rachmaninov - His Complete Recordings: Box Set 10CDs (2005)
Classical | MP3 CBR 320 kbps | 1,47 Mb | Scans 13 Mb
Label: BMG-RCA RED SEAL | Release Year: 2005

Although Sergei Rachmaninov considered himself first and foremost a composer, the last two decades of his life found him knee-deep in his “second career” as a touring concert pianist and recording artist. In 1992, RCA Gold Seal brought out all of Rachmaninov’s recorded performances in a 10-disc set, now reprinted as a space-saving budget box.
Boris Giltburg - Sergey Rachmaninov: Etudes-tableaux, Op. 39; Moments musicaux (2016)

Boris Giltburg - Rachmaninov: Études-tableaux, Op. 39; Moments musicaux (2016)
EAC | FLAC | Image (Cue&Log) ~ 225 Mb | Mp3 (CBR320) ~ 168 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.573469 | Time: 01:10:36

Boris Giltburg's 2016 release on Naxos consists of two sets of piano pieces by Sergey Rachmaninov, the Études-tableaux, Op. 39 (1916-1917), and the Moments musicaux, Op. 16 (1896). The Études-tableaux are a cross between technical studies and character pieces, reminiscent of the etudes of Frédéric Chopin, and they present considerable challenges, even to virtuoso pianists. Here, Giltburg displays his remarkable skills, as well as a range of expressions that run from the fiery and turbulent to the atmospheric and melancholy. In the Moments musicaux, Rachmaninov experimented with short forms, such as the nocturne, etude, funeral march, barcarolle, and theme with variations, and these pieces demonstrated his mastery of piano technique, if not yet his full maturity as a composer. Giltburg's playing brings out a variety of colors and textures, and his passionate interpretations accord with Rachmaninov's youthful, ardent style.
Martha Argerich & Nelson Freire ‎- Salzburg: Johannes Brahms, Sergey Rachmaninov, Franz Schubert, Maurice Ravel (2009)

Martha Argerich & Nelson Freire ‎- Salzburg (2009)
Johannes Brahms - Sergey Rachmaninov - Franz Schubert - Maurice Ravel

EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 166 Mb | Scans ~ 64 Mb
Genre: Classical | Label: Deutsche Grammophon | # 477 8570 | Time: 01:12:25

Pianists Martha Argerich and Nelson Freire are stupendous virtuosos, and there's nothing in this recording of their 2009 Salzburg recital of staggeringly difficult works they cannot play. They know each other so well as old duo piano partners that their playing is stunning in its unity, but their distinctive individuality also comes across. What's most impressive about this recital is how completely Argerich and Freire have made this music their own. Brahms' Haydn Variations sound freer and fresher, more playful, and more profound than ever. Rachmaninov's Symphonic Dances are thrillingly rhapsodic, rapturous, and dramatic. Schubert's Grand Rondeau is more lyrical, intimate, and graceful than usual, and Ravel's La Valse more ecstatic and apocalyptically over-the-top frightening than in any comparable recordings, including Argerich's own earlier releases. Captured in wonderfully clear yet wholly present digital sound, the performances on this disc will be compulsory listening for anyone who loves music, any music.
Sokolov - Mozart & Rachmaninov: Concertos - A Conversation That Never Was (2017)

Sokolov - Mozart & Rachmaninov: Concertos - A Conversation That Never Was (2017)
EAC Rip | Flac (Image + cue + log) | 293 MB | 1 CD | Full Scans
Genre: Classical | Label: Deutsche Grammophon | Catalog Number: 002635200

This release – set for March 2017 – is a piece of history: it is a combination of unreleased and historic audio and visuals. It allows a unique view of the enigmatic maestro Grigory Sokolov’s life because it offers an opportunity to hear authentic performances from over ten and even twenty years ago accompanied by a brand-new film by Nadia Zhdanova.
Shura Cherkassky plays Rachmaninov, Prokofiev, Stravinsky (2011) [Re-Up]

Shura Cherkassky plays Rachmaninov, Prokofiev, Stravinsky (2011)
EAC | FLAC | Image (Cue&Log) ~ 321 Mb | Mp3 (CBR320) ~ 182 Mb | Scans included
Genre: Classical | Label: Ica Classics | # ICAC 5020 | Time: 01:16:28

Shura Cherkassky (1909-1995) was one of the greatest piano virtuosos of his time having studied under the legendary Josef Hofmann. This WDR studio broadcast sourced from the original master tapes has Cherkassky playing Rachmaninov’s Rhapsody on a Theme of Paganini from 1970 in superb stereo. He recorded the Rhapsody only once in 1953 for EMI in mono but it has never been issued on CD so this taping is exceptionally important and adds a major work to Cherkassky’s large discography. Prokofiev’s wartime Piano Sonata No.7 was never recorded commercially by Cherkassky so this is another addition to his discography sourced from WDR’s original master tapes. It was recorded in 1951 when Cherkassky was fast becoming a star in Germany. The three scenes from Stravinsky’s Petruschka was a favourite virtuoso work for Cherkassky and this 1951 recording shows him at his most brilliant, sourced from WDR’s original master tapes. Three encores have been added from 1951 and 1953 (not sourced from WDR) which again showcase Cherkassky’s incredible technique during the early period of his career in Germany.

Vladimir Ashkenazy - Rachmaninov: Complete Works For Piano (11CDs, 2014)  Music

Posted by Discograf_man at April 13, 2017
Vladimir Ashkenazy - Rachmaninov: Complete Works For Piano (11CDs, 2014)

Vladimir Ashkenazy - Rachmaninov: Complete Works For Piano (11CDs, 2014)
Classical, Piano | MP3 CBR 320 kbps | 1,91 Gb | Artwork: 75,29 Mb
Label: Decca

This magnificent collection spans almost half a century, from three of Rachmaninov's Op 39 Etudes-Tableaux that Vladimir Ashkenazy recorded in 1963, to his version of the First Sonata, which was released two years ago. It's wonderfully comprehensive, including the four piano concertos and the Paganini Rhapsody, the works for two pianos (the Suites and the Symphonic Dances with André Previn, some smaller-scale pieces with Ashkenazy's son Vovka), and all manner of occasional pieces and transcriptions as well as the major solo piano works.

VA - Rachmaninov: The Essentials (2017)  Music

Posted by SERTiL at April 11, 2017
VA - Rachmaninov: The Essentials (2017)

VA - Rachmaninov: The Essentials
Classical | MP3 CBR 320 kbps | 199:52 min | 461 MB
Label: Deutsche Grammophon | Tracks: 25 | Rls.date: 2017

Sergei Rachmaninov (also spelled Rachmaninoff, 1873–1943) was a Russian composer, pianist, and conductor. Rachmaninov, it seemed, could do nothing right by most of his contemporary critics' and composers' standards. As a person, he appeared somewhat cold and aloof - Stravinsky once called him "a six-and-a-half foot tall scowl".