The reissue game continues. All of this material has been available more or less continuously in recent years, with the exception of Frühbeck's Three-Cornered Hat, which only resurfaced quite recently on an EMI twofer accompanied by Atlántida. The reason it reappears here, evidently, stems from the fact that this two-disc set contains all of Victoria de Los Angeles' stereo Falla recordings; and despite the fact that she sings for about 60 seconds in total in "Hat", it's always a pleasure to hear Frühbeck's big-hearted, expansively Romantic but always exciting way with the music.
Uzi Feinerman (Boom Pam) - Guitar & Vocals, Sefi Zisling (Funk'n'stein) – Trumpet, and Eitan Efrat – Drums are "The Ramirez Brothers", a power trio that has gained many fans in the past few years. The Ramirez Brothers' shows have earned a cult following in their native Tel Aviv town. The Ramirez musical journey fuses a groovy mixture with influences ranging from Jimi Hendrix' blues, through Funk and Rockabilly to Americana, which creates an old/new unique sound.
Rafael Kubelik was one of the 20th century's most brilliant and charismatic conductors, yet under-appreciated because of his reluctance to embrace the "star" system. Here he is seen working with the great orchestras of Berlin, Vienna and Amsterdam, and featured in a bonus biographical documentary acclaimed for "stylish camera-work and a counterpoint of image, word and music reflecting Kubelik's spontaneity, exuberance, trust in emotion, and ability, even in tailcoat, to retain his warmth and humanity" (Süddeutsche Zeitung).
"The set also includes two magnificent Kubelík recordings from the 1960s with Bavarian Radio forces. Schoenberg's Gurrelieder (with tenor Herbert Schachtschneider as a vocally heroic Waldemar) is superbly played and sung, and Kubelík's conducting is as dramatically involving as any. It sounds better than ever in this latest mastering. Finally, there is utter enchantment: the 1964 recording of Mendelssohn's music for "A Midsummer Night's Dream" (with Edith Mathis and Ursula Boese as soloists), prefaced by a fascinating rehearsal of the Overture, released here for the first time. The booklet includes excellent notes and photographs" ~International Record Review