Ralph Simon As

Ralph Simon - As (1994) {Postcards}  Music

Posted by tiburon at June 25, 2016
Ralph Simon - As (1994) {Postcards}

Ralph Simon - As (1994) {Postcards}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 339MB + 5% Recovery
MP3 CBR 320 Kbps | 137MB + 5% Recovery
Genre: Jazz, Fusion, Avant-Garde Jazz

This relaxed disc (recorded in 1981 but released for the first time in 1994) sounds a bit like Pharoah Sanders (in one of his peaceful moods) meeting the rhythm section of Miles Davis's Bitches Brew. The use of the late Gene Adler's kalimba adds atmosphere to one song and his piano is a major asset during the lengthy episodic exploration of Annette Peacock's "Skin on Skin." Ralph Simon's soprano recalls Wayne Shorter a bit in spots, he cooks on tenor during "Gepetto" and his solos are consistently thoughtful and full of purpose. With sympathetic support from one of two rhythm sections, Simon constructs an interesting set of moody music.

Paul Simon - Paul Simon (1972/2015) [24-bit/96kHz]  Vinyl & HR

Posted by HDV at March 23, 2015
Paul Simon - Paul Simon (1972/2015) [24-bit/96kHz]

Paul Simon - Paul Simon (1972/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 43:13 minutes | 857 MB
Studio Master, Official Digital Download | Artwork: Front cover

Paul Simon is the second studio album by American singer-songwriter Paul Simon as a solo artist (his 1st solo album had been recorded in England in 1965). It was released in January 1972, nearly two years after he split up with longtime musical partner Art Garfunkel. It was ranked No. 266 on the list of Rolling Stone's 500 Greatest Albums of All Time.
Paul Simon: The Library of Congress Gershwin Prize for Popular Song (2007)

Paul Simon: The Library of Congress Gershwin Prize for Popular Song (2007)
MBluRay 1080p | 1h 45mn | 1920x1080 | MKV AVC - 10.1 mbps | 29.97 fps | DTS - 640 Kbps 6CH 48 KHz | 7.95 GiB
Language: English | Genre: Music | Subtitles: None

In May of 2007 the Library of Congress gathered an unprecedented group of musicians together in Washington, D.C., to honor Paul Simon as the first recipient of the Gershwin Prize for Popular Song.
Ralph van Raat - Gavin Bryars: Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)

Gavin Bryars - Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)
Ralph van Raat, piano; Cappella Amsterdam, Netherlands Radio Chamber Philharmonic, Otto Tausk

EAC | FLAC | Image (Cue&Log) ~ 216 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Contemporary Classical | Label: Naxos | # 8.572570 | Time: 00:52:39

The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.
Berliner Philharmoniker & Sir Simon Rattle - Jean Sibelius - Symphonies Nos. 1-7 (2015) [DD 24bit/192kHz]

Berliner Philharmoniker & Sir Simon Rattle - Jean Sibelius - Symphonies Nos. 1-7 (2015)
FLAC tracks 24bit/192kHz | Digital Booklet | 6.49GB + 5% Recovery
Studio Master, Official Digital Download, Berlin Phil Media

For Simon Rattle, Jean Sibelius is “one of the most staggeringly original composers that there is”. And indeed, this music has a unique musical language whose many beauties are particularly succinctly conveyed in Sibelius’s seven symphonies. There is sonorous warmth as much as there is austere Nordic folklore. Moreover, there is a conceptual boldness that takes the listener on exciting musical journeys of discovery. In 2015, to celebrate the 150th anniversary of Sibelius’s birth, Simon Rattle and the Berliner Philharmoniker presented the cycle live, which was met with unanimous delight by audiences and critics alike. “The Philharmoniker show that with them and Simon Rattle, Sibelius is in excellent hands,” wrote the Berliner Zeitung, “because the orchestra has that astringency and sheer power which is so important for this kind of music.”
Simon Rattle and Berliner Philharmoniker - The Sound of Simon Rattle (2016)

Simon Rattle and Berliner Philharmoniker - The Sound of Simon Rattle (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 980 MB | MP3 CBR 320 kbps - 587 MB | 03:51:06
Classical | Label: Warner Classics | Release Year: 2016

The musical intoxication of a great era: on 7 September, 2002, Sir Simon Rattle was appointed new Principal Conductor of the Berlin Philharmonic, marking the start of a new and memorable era for the world of music. Rattle has opened up new repetoire channels for the musicians, endowed he tradition-steeped ensemble witha youthful image and established the inimitable 'Rattle Sound'. Great moments - brought together here for the first time.
Simon & Garfunkel - Bridge Over Troubled Water (1970) {1986, Reissue, Japan}

Simon & Garfunkel - Bridge Over Troubled Water (1970) {1986, Reissue, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 239 Mb | MP3 CBR320 ~ 105 Mb
Scans (JPG, 600 dpi) ~ 134 Mb | RAR 5% Recovery
Folk Rock, Classic Rock | CBS/Sony #32DP 286

Bridge Over Troubled Water was one of the biggest-selling albums of its decade, and it hasn't fallen too far down on the list in years since. Apart from the gospel-flavored title track, which took some evolution to get to what it finally became, however, much of Bridge Over Troubled Water also constitutes a stepping back from the music that Simon & Garfunkel had made on Bookends – this was mostly because the creative partnership that had formed the body and the motivation for the duo's four prior albums literally consumed itself in the making of Bridge Over Troubled Water…

Europe as a Stronger Global Actor: Challenges and Strategic Responses  eBooks & eLearning

Posted by arundhati at Nov. 26, 2016
Europe as a Stronger Global Actor: Challenges and Strategic Responses

Simon Duke, "Europe as a Stronger Global Actor: Challenges and Strategic Responses"
2016 | ISBN-10: 1349949442 | 262 pages | PDF | 2 MB
Hilary Hahn, London SO, Sir Colin Davis - Edward Elgar: Violin Concerto; Ralph Vaughan Williams: The Lark Ascending (2004)

Edward Elgar: Violin Concerto; Ralph Vaughan Williams: The Lark Ascending (2004)
Hilary Hahn, violin; London Symphony Orchestra; Sir Colin Davis, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 306 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans ~ 70 Mb
Genre: Classical | Label: Deutsche Grammophon | # 00289 474 5042 | Time: 01:06:04

Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.

Simon & Garfunkel - Bookends (1968) [MFSL, UDCD 732]  Music

Posted by v3122 at Nov. 22, 2016
Simon & Garfunkel - Bookends (1968) [MFSL, UDCD 732]

Simon & Garfunkel - Bookends (1968)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1998 | Mobile Fidelity Sound Lab, UDCD 732 | ~ 171 or 70 Mb | Scans(jpg) -> 25 Mb
Folk-Rock / Classic Rock

Simon & Garfunkel quietly slipped Bookends, their fourth album, into the bins with a whisper in March 1968. They are equal collaborators with producer/engineer Roy Halee in a multivalently layered song cycle observing the confusion of those seeking an elusive American Dream, wistfully reflecting on innocence lost forever to the cold winds of change…