The Baroque music ensemble Les Talens Lyriques, under Christophe Rousset's baton, performs Rameau's Les Indes galantes at the Opéra National de Bordeaux in a sensual and politically engaged production directed by Laura Scozzi, on the occasion of the festivities organized to commemorate the 250th anniversary of Jean-Philippe Rameau's death.
Rameau had the somewhat dubious fortune (in his own time, at least) to be such a powerful creative personality in the field of orchestral music that the quality of his dances sometimes overwhelms the operatic context in which he places them. From our point of view today, this hardly seems a liability, especially when it permits the performance of marvelous orchestral suites such as this from his various theatrical productions. Les Indes galantes (1735) contains some wonderful dance music, scored with the composer's usual imaginative flair.
For musicians of today, Rameau is often associated with the study of music theory.а His Traitщ de l'harmonie (1722) was incredibly influential Ч and controversial Ч in its new conception of the triad as an invertible entity.а While his critics often cited his theoretical background as making him unfit for composition, his considerable success as a composer of keyboard music and, later, opera called this accusation into question.
After a rather uninspired prologue as opening section according to Lully's five-part tradition, Rameau's ballet opera offers four different stories, each set in a different exotic locale. We get some idea of how Frenchmen conceived of the non-European world in the 1730s. The first story, "The Noble Turk," falls in line with Montesquieu's Persian Letters (1721) by suggesting that good character is more important than religious differences. This theme, alien to my own viewpoint and synonymous with the Enlightenment, led to an ideal of the Brotherhood of Man that dominated idealistic thinking for two centuries to come. The most remarkable of the four stories is the second, set in Peru at the time of the Spanish Conquest of the 1530s… By John D. Pilkey
Belle collection les genies du Classique. Editions ATLAS et Guilde Internationale du Disque. Tous les chefs-d'oeuvre de la musique classique.
The legendary label, deutsche harmonia mundi, releases a special 50 CD boxset featuring star performers such as Hille Perl, Nikolaus Harnoncourt, Dorothee Oberlinger, Simone Kermes, and Nuria Rial and more! This collection displays the sheer variety available from the dhm archive. A perfect collection ranging Medieval, Renaissance, Baroque and Romantic music.
Ever since Beethoven wrote his last piano sonata and called it "Opus 111", the number 111 has enjoyed certain kudos in musical circles, and 2009 marks the 111th anniversary of Deutsche Grammophon.
Over 11 decades, the label's philosophy has always been “the greatest recordings by the greatest artists in the world” and now they showcase this with this incredible 55 CD box set.