Arturo Tamayo's recordings of the works of Iannis Xenakis on the Timpani label are among the finest available, for they are finely interpreted, expertly performed, and brilliantly recorded. Xenakis' music is always different from piece to piece, because the composer never wanted to repeat himself, and his works always present unique challenges, depending on the nature of his evolving techniques and changing expressions. Whether it is in the stark text and extreme vocalizations of Aïs (1980), or the densely dissonant aggregations of Tracées (1987), Empreintes (1975), Noomena (1974), and Roáï (1991), Tamayo keeps the energy levels high and shapes the sound to have a sharp edge and forceful impact.
New age composer/multi-instrumentalist Kazu Matsui reinterprets the works of Franz Schubert in Tribal Schubert, placing his classical compositions into completely different, refreshing contexts. Matsui introduces and integrates jazz, hip-hop, ambient, Eastern and improvisational elements into Schubert pieces, transcending the formality of the original works while preserving the melodic beauty of the originals. Tribal Schubert also features new age/jazz pianist Matsui on several tracks, adding to the album's diverse mix of classical and cutting edge.
Impressive in our ongoing, very successful Spanish music series, the BBC Philharmonic and its chief conductor, Juanjo Mena, also explores the works of the Argentinean composer Alberto Ginastera in three orchestral volumes. Not only acknowledged as a leading South-American composer of his day, Ginastera is also seen as one of the heroes of Latin-American music in general, whose enduring source of inspiration was Argentina itself: its pre-Columbian legacy on the one hand and the vast landscapes of the pampas on the other.
In 1994, RICERCAR released a boxed set bringing together nearly all the works of Guillaume Lekeu (1870-1894), this prodigious Belgian composer who died prematurely at the age of 24. Admirer of Beethoven and Wagner, disciple of Franck, and protégé of Ysaÿe, Lekeu had, in his last compositions, opened a new way that was neither French nor Germanic. It is to this journey that this new edition invites you, starting with the earliest works, written at 15, to the masterpieces of 1893.
2012 two CD collection devoted to the works of Motown session keyboardist (and Funk Brother extraordinaire) Earl Van Dyke. Originally, some of the Hitsville studio musicians would be ''allowed'' to cut soulful Blues and Jazz tracks for the company's Workshop Jazz label, as long as they handled the regular gig, cutting hits on the Hitsville U.S.A. assembly line. By 1964, however, Workshop Jazz was dead. Motown made good on their promise, somewhat, giving Earl Van Dyke a rare opportunity in the spotlight by issuing in his name a single and a subsequent LP, That Motown Sound. Earl's artistic disappointment belies the gems contained within those vocal-less Motown hits and the additional bonus tracks from Motown's vaults that comprise Disc One of this set. Additional previously unheard nuggets can be found amongst the bonus tracks on Disc Two.
Noriko Ogawa and the Malmö Symphony Orchestra return to the works of Rachmaninov with a disc featuring his first and fourth piano concertos and Rhapsody on a Theme of Paganini. Rachmaninov’s first concerto was written while he was a student at the Moscow Concervatory, but underwent considerable revisions up to 1917.
"The Australian Pink Floyd Show: Eclipsed By The Moon," was filmed at Trier & Oberhausen Arenas in Germany on April 12th and 13th in 2013. The set includes songs from across the works of Pink Floyd. All the inflatables, all the lasers, all the hits. Australian Pink Floyd, the worldwide-touring tribute band, recreates the musical and visual concert experience of one of rock music’s most iconic groups. This one-hour concert features everything a true “AFP” fan expects: an astonishing note-for-note rendering of Pink Floyd’s music, evocative atmosphere, lasers and even Skippy the Kangaroo (the band’s mascot). Featuring founding members Steve Mac and Jason Sawford, the band has been performing the Pink Floyd catalogue for more than 20 years and has played to more than three million fans worldwide. Lovingly curated, the band’s live sets are packed with the fans’ favorite Floyd classics from across the years that otherwise would simply not be heard together in a concert setting.