Amadeo, a novelist suffering from writer's block, is back in Havana after sixteen years of exile. This evening his friends are waiting for him on a terrace overlooking the Malecon Boulevard. There are Tania, who despite being an eye doctor only ekes out a living; Rafa, a once major artist who has become an alcoholic and only paints daubs now ; Aldo, an honest man who, although trained as an engineer is reduced to mounting batteries in a factory. They are joined after a time by Eddy, a literature lover turned parvenu… From dusk to dawn, they will laugh, sing, dance together, reminisce about their youth, the group they used to form, the faith they had in the future and exchange about their present disillusionment. At times they will even tear each other apart..
After his battles with the communist mayor Peppone, Don Camillo is sent in exile by his bishop in a remote village. Peppone thought he got the village in his hands. But when the municipality decide to build a dike against the periodic floods, the proprietor of the land refuses. War between the village clans is about to begin. Maybe only the strong hand of the priest could persuade the landlord to change his mind. Will Peppone passed over his pride and send for his enemy?
Eternal Return (L'Eternel Retour) translates the Tristan and Isolde legend into contemporary (e.g. 1939) terms. The Tristan counterpart, Patrice (Jean Marais), falls in love with the modern-day Isolde, named Nathalie. Actually he has fallen for two Nathalies: when Nathalie I (Madeleine Sologne) spurns his offer of marriage, he turns his attentions to Nathalie II (Junie Astor). Still carrying a torch for Nathalie I, Patrice attempts a nocturnal rendezvous with his true love on the eve of his wedding.
In the seacoast town of Boulogne, Hélène sells antique furniture, living with her step-son, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit - Alphonse - with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The narrative, like memory and intention, is jumpy, the past obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well. Can anyone know another?