"Christmas Present" is a Christmas album by American pop singer Andy Williams that was released in late 1974 by Columbia Records. A brief blurb in Billboard magazine's Inside Track column in that year's November 23 issue revealed the album's television tie-in: "'Christmas Present' is title of Andy Williams' 11th Yule show, airing on NBC-TV Dec. 11".
"Merry Christmas" is a Christmas album by American pop singer Andy Williams that was released by Columbia Records in 1965. This, his second holiday LP, is focused exclusively on 20th century compositions, unlike 1963's The Andy Williams Christmas Album, which, of its 12 tracks, had six with origins predating the turn of the century. For the six consecutive holiday seasons from 1965 through 1970, Merry Christmas charted on Billboard magazine's special year-end weekly Christmas Albums sales chart. The album spent two weeks as the number one selling Christmas album during the holiday season of 1966 and one week atop that same chart in 1969.
Following the success of The Dream of Gerontius in 1900 and The Apostles in 1903, the Birmingham Triennial Music Festival commissioned Elgar to produce another large oratorio for the 1906 festival. The Kingdom continues the narrative of the lives of Jesus’ disciples, depicting the community of the early church, Pentecost, and the events of the next few days. Although less frequently performed than The Dream of Gerontius, The Kingdom is considered one of Elgar’s greatest choral works, and deserves to rank alongside it. This re-release of the 1989 recording also features Sursum Corda and Sospiri, two short, reflective instrumental pieces, release honors the legacy of the late English conductor Sir Richard Hickox.
Of all the titles in the Impulse! 2 on 1 series, this volume may be the very finest. It pairs two indisputable classic Charles Mingus titles – both of which have endured for nearly 50 years – that were cut during the same year. While The Black Saint and the Sinner Lady was recorded on January 20, 1963, the recording that ended up as Mingus Mingus Mingus Mingus was begun that very day, but not finished until September. The former album is rightly regarded as one of (if not the) Mingus' masterpieces for its use of colors, tonalities, expansive harmonies, and the juxtaposition of numerous aspects of the jazz tradition – from Ellingtonian swing to hard bop, to West Coast and new-thing jazz – employing a vocal chorus, and even Latin and flamenco flourishes in a single conceptual work played by an 11-piece orchestra.
As he proved with his recording of A London Symphony – Record of the Year, Gramophone Awards 2001 – Richard Hickox was a Vaughan Williams specialist. This reissue of an original 1995 recording features such lesser known works from the composer as Household Music and Flos Campi. Alternating between the passionate and the tortured, between long-breathed lyricism and moments of obvious pain, Flos Campi has never really found itself in the mainstream concert repertoire, maybe because of its title, misleadingly suggesting jolly music. Household Music has equally suffered from its title, rather an off-hand one for pieces that at their best show the composer’s brilliance as an arranger. Riders to the Sea, however, is a masterpiece, seen as the finest as well as the most concentrated of Vaughan Williams’s works for the stage, conjuring up multiple layers of emotional response to the natural world, a losing battle with the sea, and the God which rules it, for the islanders in the North Atlantic.