Rod Stewart's career has been subject to so many twists that a single-disc overview is somehow both appealingly broad and inadequate to the task of tracing all those zigzags. From beloved rocker of the first order to disco dilettante to pop crooner, Stewart's career has presented challenges to fans who may have been charmed by the rollickingly randy "Maggie May" and bemused by the alarmingly narcissistic "Da Ya Think I'm Sexy?" This 16-song retrospective touches all the bases without delving deeply into any era. The selections aren't arranged sequentially and the booklet is much more generous with vintage photos than album credits.
The Story So Far: The Very Best of Rod Stewart is a 2001 Rod Stewart career-retrospective compilation album, which summarizes his solo work beginning with material from his 1971 breakthrough album Every Picture Tells a Story until his 2001 album Human. For contractual reasons, only two songs from his Mercury Records tenure ("Maggie May" and "You Wear It Well") were included (a third song from the Mercury era, "Reason to Believe", was included in a live acoustic version from the Warner Bros. album Unplugged…and Seated). The rest of the material is from different albums released under Warner Bros. Records…
The Very Best of Frank Sinatra is a simple double-disc collection of 40 Sinatra classics from his Reprise Recordings. For casual fans wanting something more than the single-disc The Very Good Years but don't want the four-disc The Reprise Collection, The Very Best of Frank Sinatra is ideal, since it contains all of the true essentials he recorded during the '60s and '70s, including "Summer Wind," "Strangers in the Night," "My Way," "It Was a Very Good Year," and "Theme From New York, New York."
Over the course of three albums and an EP, Ugly Kid Joe managed to parlay their pronounced Guns N' Roses fixation into something of a career. On their best songs – "Everything About You," "Neighbour," and "Milkman's Son" – they blended cartoon rebellion and a sense of humor best described as pre-adolescent into powerhouse singles full of tasteless good fun. Perfect for that time of life when all one wants to do is go around breaking things. Though routinely flagged as a hair band, their twin-guitar attack and fondness for funky, bottom-end heavy riffing also places Ugly Kid Joe among the forefathers of the late-'90s rap-metal explosion. As Ugly as They Wanna Be showcases the band in all their juvenile glory – from their surprise hit version of Harry Chapin's "Cat's in the Cradle" to their tight cover of Black Sabbath's "NIB" to "Busybee" – pretty much the best Guns N' Roses song Guns N' Roses never recorded – all the hits are here, present and accounted for.
"My name is Christopher von Deylen - and I am Schiller." At some point during every Schiller concert, von Deylen speaks these ten words and the crowd goes wild. Schiller’s ethereal “global pop”, as his fans and the press have coined the style, gives the listener a feeling of floating in a dream world. Inspired by electronic classics such as Tangerine Dream, Kraftwerk, and Jean-Michel Jarre, von Deylen is known for creating visionary sounds that are way ahead of their time.
"Timeline: The Very Best of 1998-2011" looks back on Schiller’s accomplishments through the years as it chronicles the best and most important songs of Schiller’s career…
Rhino's Very Best of Betty Wright collects some of the soul diva's definitive tracks, including her first Top 40 hit "Girls Can't Do What the Guys Do," her 1971 Top 10 hit "Clean Up Woman," "Let Me Your Lovemaker," her 1974 Grammy winner "Where Is the Love," and "I'm Gettin' Tired Baby." Though it's not as extensive as the label's earlier compilation The Best of Betty Wright, this album does present most of her major singles as well as a few representative album tracks.