This was Alicia de Larrocha’s finest account of Nights in the Gardens of Spain, fully capturing the Andalusian atmosphere of this evocative score. After all, it’s not a work about landscapes and flowers – it’s about love. Rafael Frühbeck de Burgos does a superb job of drawing perfume and color out of an English orchestra.
Documentary about the life and work of Paco de Lucía. Including live performances, interviews and many different moments of the life of the artist. This production, with the collaboraration of Spanish TV and European channel ARTE, shows the everyday life of the artist, the international tours and the development of Paco's own philosophy and attitude towards life and guitar. With the participation of artists such as Chick Corea and many other people from the personal sorrounding of the artist.
En Vivo Conciertos España is the first release of new material in seven years, and first live album in 18, by the flamenco guitar god par excellence. While de Lucía's output has slowed down considerably in the past two decades, the same cannot be said of his prodigious dexterity, in light of this two-CD set culled from his 2010 Spanish tour. De Lucía performs extended variations of eight of his compositions (almost every track surpasses the ten-minute mark) together with his new band of guitarist Antonio Sánchez, bassist Alain Pérez, singers David de Jacoba and Duquende, harmonica player Antonio Serrano, and dancer Farru, all eminently up to de Lucía's notoriously high standards. A DVD with the "making-of" documentary La Inmortalidad del Concierto completes the release.
Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.