If he were so minded, Jordi Savall might hand copies of this CD out to new acquaintances as the musical equivalent of a calling-card. True, he appears here only in the guise of soloist, whereas a more complete portrait would need to include samples of his work as director and conductor; but as an illustration of the range of the viola da gamba, this generously filled disc is exemplary. And although the calling-card might not be handmade, it is the nearest thing to it, since Alia Vox is Savall’s own, newly established label.
"deutsche harmonia mundi" ist eines der wichtigsten und ambitioniertesten Label für die authentische Interpretation und historische Aufführungspraxis. 2013 feiert das Label bereits sein 55-jähriges Bestehen.
Zu diesem Jubiläum erscheint nun eine hochwertige 25CD-Edition mit vielfach ausgezeichneten und von der Presse hochgelobten Aufnahmen sowie einem ausführlichen Einführungstext über die Anfänge und die Geschichte des Labels…
The 1991 French film Tous les matins du monde (All the Mornings of the World) attracted an audience of unexpected size for a story about French Baroque viol music, becoming a runaway hit in France and Germany and even gained wide distribution in the classical-chary U.S. The commercial ramifications grew with the release of the film's soundtrack, featuring early music giant Jordi Savall on viol; the soundtrack achieved platinum sales levels in its initial release. The film's story, built on a very few sketchy facts about the reclusive seventeenth century viol player known only as Monsieur de Sainte Colombe, drew viewers with its modern resonances touching on the conflict between art and popular success, and partly with its dramatic lighting reminiscent of the paintings of Louis le Nain. The soundtrack has a few pieces with vocals or with a small ensemble of other players.
This is an excellent and varied selection of composers from the very well known like Palestrina, Monteverdi, Bach and Vivaldi, through the less famous but familiar like Frescobaldi, Sainte-Colombe and Zelenka, to the downright obscure. It is all delightful: the musicians are uniformly excellent, and include such great names as Gustav Leonhardt, Cantus Colln, Christopher Hogwood and so on. They give fine performances both of the familiar works and of the less familiar ones.
The Ensalada (musical salad) is a poetical work which combines lines in different languages, as well as instrumental sonatas. It is rooted in the medieval practice of singing different texts simultaneously, and incorporates well-known romances and madrigalist elements. Generally based on stories from Christ birth, ensaladas a big portrait, a la Janequin, occupying a midway position between art and folk music.
During the final years of his life, Johann Sebastian Bach (1685-1750) created the monumental body of music that can be considered his “Testament”, comprising the Musical Offering, the Art of Fugue and the B minor Mass. This latter work is a perfect synthesis of all his skill and flair in the art of composition (and essentially in that of counterpoint), as well as his gift for invention and his extraordinary sense of form, structure and number.
There are more than one dozen recordings of Monteverdi's great masterpiece, the Vespers of 1610, a distinction reserved for very few works and composers from the late 16th and early 17th centuries. With this kind of attention, you'd think that this substantial work for choir, soloists, and instruments would be more easily accessible–but it is in fact a structurally complex and musically intricate compilation of hymns, antiphons, and psalms, concluding with a magnificent setting of the Magnificat. Most recordings can't seem to overcome the strategic and technical problems of presenting such a three-dimensional work on a recording. But this one is different: the music literally comes alive and grabs our attention. If you're in the market for Monteverdi's Vespers, look no further. This is the most dynamic, dramatic version on disc.