The Late Great Daniel Johnston: Discovered Covered is a 2004 Gammon Records two-disc set. The first disc features covers of Daniel Johnston songs by a variety of different artists. The second disc features the original versions of these eighteen songs, as well as "Rock This Town", a previously unreleased Johnston track.
The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.
These CDs contain all Bach’s extant concertos that feature a solo keyboard. Most were written in the 1730s and are thought to be arrangements of earlier concertos, many of which are now lost (though two will be recognized as Bach’s E major and A minor violin concertos and the sixth is an arrangement of the fourth Brandenburg). The fifth Brandenburg Concerto, with harpsichord, flute and violin soloists, dates from 1721 and is generally regarded as the first concerto for a solo keyboard instrument ever written. Bach made the keyboard part particularly brilliant and included a huge cadenza; he certainly knew how to establish a genre with a bang!
Daniel E. Greene, N.A. is a former instructor of painting at the National Academy of Design and the Art Students League of New York. He is the author of "Pastel" that was in print for 25 years and "The Art of Pastel," which were published in English, French, German, Spanish, Italian and Chinese. In 1969, Mr. Greene was elected to the National Academy of Design.
A classy tribute by this masterful trio to the great controversial film director, Pier Paolo Pasolini. The trio excels in their interpretations of some of Pasolini’s best known pictures and includes original compositions by Antonio Faraò, inspired by the works of Pasolini. (Source: CAM Jazz website)
Both Daniel and Carey Domb started their musical careers with the cello. After her experience in the Montovani Orchestra, Carey developed a penchant for lighter classical music, which was also shared by Daniel. The guitar and cello duo they subsequently formed evolved from a heartfelt desire of the Dombs to play together. A simple framework of acoustic guitar seemed to bring out the haunting beauty of the cello and create a special atmosphere for the music the Dombs love to play.