Schreier

Theo Adam & Peter Schreier - Bach: Arias (2017)  Music

Posted by Pisulik at July 1, 2017
Theo Adam & Peter Schreier - Bach: Arias (2017)

Theo Adam & Peter Schreier - Bach: Arias (2017)
Classical | MP3 CBR 320 kbps | 01:59:04 | 274 MB
Label: Berlin Classics

Peter Schreier’s keen interest in the oratorio has earned him an international reputation as a concert singer. Schreier has set standards in the interpretation of Bach’s Oratorios, Passions and Cantatas, notably the parts of the Evangelists, that remain a challenge for every tenor today. He has also won acclaim as an incomparable performer of the Lied. His Schubert was especially regarded for its highly expressive projection and shaping of the words. Peter Schreier sang primarily on East German recordings, many of which are re-released on CD on the Berlin Classics label, and for the Philips label. Numerous records, radio and television productions attest to the multifarious talents of a singer.
Mozart - Oratorios, Cantatas, Masonic Music (Peter Schreier) [1991]

Mozart - Oratorios, Cantatas, Masonic Music (Peter Schreier) [1991]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 268 MB
Classical | Label: Elite Classics | Catalog Number: AS-364-A | TT: 61'26

Wolfgang Mozart joined the order of the freemasons at the lodge "Zur Wohltдtigkeit" (Benefaction) in Vienna on December 14, 1784. Mozart and freemasonry seemed an ideal match, and in a little over a year he would achieve the status of "master mason." A small number of works among Mozart's late output was intended directly for use in Masonic lodges, and two major non-Masonic works, the opera Die Zauberflцte (The Magic Flute, K. 620) and the Requiem K. 626, share strong Masonic connections. The best known of Mozart's Masonic compositions is the Maurerische Trauermusik, K. 477 (479a) scored originally for two violins, two violas, clarinet, basset horn, two oboes, two horns, and bass. Mozart later added parts for two additional basset horns and bassoon, resulting in an instrumentation absolutely unique in Mozart's vast output…
- David Lewis
Peter Schreier, Erik Werba - Peter Schreier: Mozart-Lieder (2016)

Peter Schreier, Erik Werba - Peter Schreier: Mozart-Lieder (2016)
EAC | APE (image+.cue, log) | Covers Included | 01:12:46 | 465 MB
Genre: Classical, Vocal | Label: Belvedere | Catalog: BCD08022

The concert that brought together Peter Schreier, the leading Mozart tenor of the 1970s from Dresden, and Erik Werba, the Vienna-born doyen of lied accompanists on 25 January 1978 featured 17 songs, the cantata with piano accompaniment “Die ihr des unermesslichen Weltalls Schöpfer ehrt” K619 from the final year of Mozart’s life, as well as two encore pieces.
Iris Schreier's Reversible Knits: Creative Techniques for Knitting Both Sides Right (repost)

Iris Schreier's Reversible Knits: Creative Techniques for Knitting Both Sides Right by Iris Schreier
English | 2009 | PDF | ISBN: 1600591175 | 146 pages | 101 Mb
Peter Schreier, Staatskapelle Dresden, Otmar Suitner - Mozart: Arien (1967) Remastered Reissue 2016

Peter Schreier - Wolfgang Amadeus Mozart: Arias (1967) Remastered Reissue 2016
Staatskapelle Dresden; Otmar Suitner, conductor; Walter Olbertz, cembalo

EAC | APE | Image (Cue&Log) ~ 272 Mb (incl 5%) | Mp3 (CBR320) ~ 124 Mb (incl 5%) | Scans ~ 189 Mb
Genre: Classical, Vocal | Label: Berlin Classics | # 0300754BC | Time: 00:51:51

Peter Schreier is unquestionably one of the greatest tenors of the twentieth century. For over 40 years he was known above all for his embodiment of Mozart tenor roles, and dazzled as a lieder singer in songs by Schubert, Schumann and Hugo Wolf. The sacred works of Johann Sebastian Bach, his oratorios and passions, formed another key element in the repertory of this native Saxon. He sang at all the world’s major opera houses – at the New York Met, at La Scala in Milan, in Buenos Aires, Vienna and Paris – and needless to say on his “home turf” of Dresden and Berlin. Not forgetting his many years of guest appearances at the Bayreuth and Salzburg Festivals. It was in Salzburg, in 1967, that he sprang into the breach as Tamino in place of Fritz Wunderlich, who died so tragically young. The successes that followed thick and fast upon that were to make Peter Schreier into the opera world’s Mozart tenor of choice in the course of the following decades.
Iris Schreier's Reversible Knits: Creative Techniques for Knitting Both Sides Right (repost)

Iris Schreier's Reversible Knits: Creative Techniques for Knitting Both Sides Right by Iris Schreier
English | 2009 | PDF | ISBN: 1600591175 | 146 pages | 101 Mb

"For me, the design has to be intentional…so that both sides are beautiful and balanced . . . If both knitted sides are similar—or even completely different from each other—the piece is reversible in a way that much, if not most, knitwear is not. Either side can be public." –Iris Schreier
Iris Schreier's Reversible Knits: Creative Techniques for Knitting Both Sides Right

Iris Schreier's Reversible Knits: Creative Techniques for Knitting Both Sides Right
Lark Books | Iris Schreier | 2009 | HQ PDF | ISBN: 1600591175 | 146 pages | 101 Mb
W.A. Mozart - Staatskapelle Dresden / Quasthoff / Schreier - Krönungsmesse (1993)

Wolfgang Amadeus Mozart - Krönungmesse, KV 317 / Vesperae Solennes De Confessore, KV 339 / Ave Verum Corpus, KV 618
Thomas Quasthoff / Rundfunkchor Leipzig / Staatskapelle Dresden / Peter Schreier
EAC+LOG+CUE | FLAC: 227 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Philips # 426 275-2 | Country/Year: Germany 1993
Genre: Classical | Style: Vienesse School, Sacred

Bach - Messe H-Moll, BWV 232 (Peter Schreier) [1998]  Music

Posted by Aregak at Nov. 8, 2010
Bach - Messe H-Moll, BWV 232 (Peter Schreier) [1998]

Bach - Messe H-Moll (Mass in B-Minor), BWV 232 (Popp, Watkinson, Buchner, Lorenz, Adam, Bernstein, Rundfunkchor Leipzig;
Neues Bachisches Collegium Musicum, Peter Schreier) [1998]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 535 MB
Classical | Label: BERLIN CLASSICS | Catalog Number: 0021232BC | TT: CD1: 72’36, CD2: 64’18

The was the first digital recording of the B Minor, recorded in '82 and released on Eurodisc back in about '84. Since then, other recordings may have been more "polished" and may have added more spectacular sound (though the sound here is very natural and beautifully soft-focussed and grainy) but none conveys as much healthy love and devotion and none has such a fine ensemble of soloists (the much-missed Lucia Popp, Theo Adam, Carolyn Watkinson et al) and so committed a choir…
Albert Lortzing - Zar und Zimmermann (Heger; Prey, Schreier, Frick, Gedda, Koth) (2002)

Albert Lortzing - Zar und Zimmermann (2002)
EAC Rip | FLAC, IMG+CUE, LOG | 614 MB | CD1:64’13; CD2:67’47 | Scans (jpg)
Classical/Opera | Label: EMI Records Ltd.

Albert Lortzing (1801-1851) was a prolific composer of very tuneful German comic operas, of which "Zar und Zimmermann" is his generally acknowledged
masterpiece. Lortzing also wrote the libretto, based on literary sources, for this and his other operas mentioned below. The German genre, known as 'spieloper', grew out of the 'singspiel' tradition of which Mozart's "Abduction from the Seraglio" is the best known example. Though a cousin to the Italian 'opera buffa' and the French 'opera comique' and the Spanish 'zarzuela', the German equivalent never traveled outside the German-speaking world with the success its cousins enjoyed outside their home countries. But such works are still popular at home.