Schtz Musicalische Vesper

Peter Neumann, Collegium Cartusianum, Kolner Kammerchor - Heinrich Schutz: Musicalische Vesper (2004) [24bit/96Hz]

Peter Neumann, Collegium Cartusianum, Kölner Kammerchor - Heinrich Schütz: Musicalische Vesper (2004)
FLAC (tracks) 24 bit/96 kHz | Time - 67:34 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The countless musicians participating in the performance of magnificent baroque music produced an unprecedented variety already around 1650. The same is the case on this album - with the placement of the soloists, instrumentalists, and choirs in different positions in recording space.
Vesper and Compline Music for Two Principal Voices (Seventeenth-Century Italian Sacred Music)

Vesper and Compline Music for Two Principal Voices (Seventeenth-Century Italian Sacred Music) by Jeffrey Kurtzman
English | 1996 | ISBN: 081532359X | 280 Pages | PDF | 5.27 MB

Audiofier Vesper v1.01 KONTAKT  Software

Posted by orientazure at Feb. 9, 2017
Audiofier Vesper v1.01 KONTAKT

Audiofier Vesper v1.01 KONTAKT | 2.72 Gb

At a glance Vesper is a double engine themed rompler, geared towards “bells and twinkly things” type of sounds. But it hides a powerful randomiser engine, a twin step sequencer and a “Trails layer” which adds motion to each patch.
Ralph van Raat - Gavin Bryars: Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)

Gavin Bryars - Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)
Ralph van Raat, piano; Cappella Amsterdam, Netherlands Radio Chamber Philharmonic, Otto Tausk

EAC | FLAC | Image (Cue&Log) ~ 216 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Contemporary Classical | Label: Naxos | # 8.572570 | Time: 00:52:39

The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.
Urbs Jerusalem Beata - Gregorianische Vesper und Messgesänge zum Kirchweihfest (1975, CD reissue 1993) [RE-UP]

Urbs Jerusalem Beata - Gregorianische Vesper und Messgesänge zum Kirchweihfest
Schola und Chor der Benediktinerabtei Marian Laach / Willibrord Heckenbach OSB
EAC+LOG+CUE | FLAC: 326 MB | Full Artwork: 96 MB | 5% Recovery Info
Label/Cat#: Motette-Ursina # CD 50631 | Country/Year: Germany 1993, 1975
Genre: Classical | Style: Sacred, Vocal, Medieval, Gregorian Chant
Jenemann, Concerto Koln - J. C. Bach: Milanese Vesper Psalms (2011)

Jenemann, Concerto Koln - J. C. Bach: Milanese Vesper Psalms (2011)
EAC Rip | Flac (Image + cue + log) | 394 MB | MP3 320Kbps CBR | 201 MB | 2 CDs | Full Scans
Genre: Classical | Label: Carus | Catalog Number: 83347

This collection of music for Vespers by J S Bach’s youngest son includes Domine ad adjuvandum, Confitbor tibi Domine, Beatus vir, Laudate pueri Dominum and his setting of the Magnificat. Domine ad adjuvandum is a world premiere recording.
Urbs Jerusalem Beata - Gregorianische Vesper und Messgesänge zum Kirchweihfest (1975, CD reissue 1993)

Urbs Jerusalem Beata - Gregorianische Vesper und Messgesänge zum Kirchweihfest
Schola und Chor der Benediktinerabtei Marian Laach / Willibrord Heckenbach OSB
EAC+LOG+CUE | FLAC: 326 MB | Full Artwork: 96 MB | 5% Recovery Info
Label/Cat#: Motette-Ursina # CD 50631 | Country/Year: Germany 1993, 1975
Genre: Classical | Style: Sacred, Vocal, Medieval, Gregorian Chant
Schütz- Musicalische Compagney - Lamenti Et Concerti (1996)

Musicalische Compagney - Lamenti & Concerti: Liebe und Klage in der Musik von Heinrich Schutz (1585-1672)
EAC+LOG+CUE | FLAC: 231 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Gold" # 310 0230 | Country/Year: Germany 1996
Genre: Classical | Style: Baroque

Heinrich Schütz was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century along with Claudio Monteverdi…

Apostolos Kaldaras - Asia Minor & Byzantine Vesper (2LP in 1 CD)  Music

Posted by Speedyclick at Feb. 16, 2011
Apostolos Kaldaras - Asia Minor & Byzantine Vesper (2LP in 1 CD)

Apostolos Kaldaras - Asia Minor & Byzantine Vesper (2LP in 1 CD)
EAC Rip | FLAC (image & cue & log) & mp3 @ 320 kbps | tracks: 23 | Scans | 1:10:29 | ~ 465 Mb & 181 Mb
Label: MINOS-EMI | 1991 | Genre: Greek popular songs, bouzouki

Apostolos Kaldaras (in greek: Απόστολος Καλδάρας) was a famous greek composer with hundreds of beautiful popular songs. This limited edition CD from the "2LP-in-1CD" collection, combines two great LP of Kaldaras from 1972 and 1973, that are considered as small masterpieces of the greek musical history. The music is superb and in both albums you will have the opportunity to hear two of the best and most popular singers in Greece today, Giorgos Dalaras (Γιώργος Νταλάρας) and Haris Alexiou (Χάρις Αλεξίου), in their first steps. Enjoy a unique and rare CD.

Lotti - Vesper Psalms  Music

Posted by ArlegZ at Jan. 30, 2011
Lotti - Vesper Psalms

Lotti - Vesper Psalms
Classical | EAC | Flac(Image)+Cue, Logs, Scans 352.04MB
Baroque/Classical | Released: 2007 | Label: CPO

During the first third of the eighteenth century Antonio Lotti (1667-1740) doubtless numbered among the most important Italian composers, but today general knowledge of his music hardly corresponds to its true significance. Lotti was born to a musician in Venice on 5 January 1667 and began receiving instruction from Lodovico Fuga (1643-1722) and Giovanni Legrenzi (1626-90) in 1682. Both Fuga and Legrenzi were employed at the Basilica of St. Mark (San Marco), Venice's principal church, and Lotti's career also continued to be closely connected with this church: on 30 May 1689 he was initially employed there as an alto chorister, but soon he was also assisting on the organ, and already on 30 May 1692 he was appointed second organist. On 17 August 1704 he assumed the post of first organist and continued to serve in this capacity for more than thirty years.