Digitally re-mastered reissue of Sergio's debut album with his trio. Initially, Sergio moved from Brazil to New York to work as pianist with Antonio Carlos Jobim and Art Farmer (amongst others). He recorded this album plus a second album entitled Girl from Ipanema before forming the band that would eventually become Brasil '66. Bossa Nova York is closer to authentic Brazilian music than his later, more commercial recordings and these early sides are adored by Jazz purists. Originally recorded in New York and released in 1964.
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. That's Brasil 65, not Brasil 66 – a distinction that marks a key early stage for the great Sergio Mendes – heard here on one of his first albums to mix together bossa jazz and vocals! The approach here is a bit more like vintage bossa dates from Brazil – or a bit like some of the Verve bossa records too – as Sergio's core trio is at the heart of every tune, playing with a great jazzy approach – then augmented in different ways by alto and flute from Bud Shank, guitar from Rosinha De Valenca, and vocals from the lovely Wanda De Sah! Production is perfect – really in a classic Elenco Records mode – and titles include "Let Me", "Consolacao", "Tristeza Em Mim", "Muito A Vontade", "Reza", "Berimbau", and "Aquarius".
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the greatest albums of Brazilian jazz that Bud Shank ever recorded — done with a style that's a lot more like some of the best bossa albums from Rio at the time! Bud's recorded in other bossa settings before — but there's something about this record that really gets the whole thing right — as Shank's alto and flute come into play with a killer combo that includes Clare Fischer on piano, Larry Bunker on vibes and drums, Joe Pass on guitar, and Milt Holland and Chuck Flores on percussion.
The first Sergio Mendes LP bears few of the soft pop hallmarks of his subsequent Brasil '66 classics. Instead, Dance Moderno is a focused and straight-ahead collection of bossa nova grooves firmly in debt to the acknowledged master of the form, Antonio Carlos Jobim. Paired with a small, tight supporting unit, Mendes proves himself an inventive and intense pianist, shaped by both traditional Latin music and American jazz.
The musical relationship between Sergio Mendes and Antonio Carlos Jobim was a very important one in the careers of both men. Jobim was, of course, the premier composer of bossa nova, and Mendes was one of the most important popularizers of Brazilian music, helping to bring Jobim's compositions to a very wide audience. Mendes recorded 11 of Jobim's songs overthe course of his first two Atlantic Records albums. The Beat of Brazil and The Swinger From Rio, Featuring Antonio Carlos Jobim, the latter of which is reissued here.