JSP's Shake That Thing: East Coast Blues compiles four CD's of performances by country blues pickers Gabriel Brown, Dan Pickett, and Ralph Willis. It's hard to go wrong with these 105 obscure recordings cut between 1935 and 1953. The tracks have been remastered, making the majority of this material sound great. Unlike other packages of this type, the liner notes are informative; listing personnel, dates, and concise history without going on ad nauseam. As an extra bonus this is a budget-priced set making it highly recommended, for both the collector and the blues novice
Drawing on over 30 years of experience playing the country-blues, complete with tutorials from some of the undisputed masters, it comes as no surprise that Stefan Grossman can so consistently conjure up the authentic spirit of the music with each successive release. His original compositions show Grossman to be the most confident of guitarists in his genre, effortlessly borrowing from the stylings of Mississippi John Hurt, Reverend Gary Davis, and Blind Willie McTell among various others. While his playing isn't overly flashy, it need not be. The precision and craftsmanship injected into the fluid, rolling original "Yazoo Strut," the harder blues groove of "Spider Web Blues," and a powerful rendition of Reverend Gary Davis' "Candy Man" are country blues at its very best.
Un siècle de Blues passé en revue Méthode 60 pages avec CD + playbacks Par JJ RÉBILLARD et Thierry VÉRIN Blues acoustique - De Blind Blake à Ben Harper Au sommaire : Acoustic Blues Techniques: rythme, technique main droite - main gauche et effets de jeu - Phrasé Blues acoustique: principes de base, accords et liaisons mélodiques sur gammes. 30 plans à connaitre - Créativité et pistes de travail: finger picking master class, open tunig, slide, capodastre, flat picking, 10 plans de légende et 5 tubes - Les secrets des maîtres: 10 standards pour jouer le blues acoustique dans tous les styles - Delta Blues, Texas Blues, East Coast Blues et Ragtime…
Compiled from the Porcupine Tree support slot in October 2006, this is a snapshot of the duo grappling with the task of combining the harmonic ambiguity of Soundscapes with some straight ahead rock grooves. With so much of Robert’s public work being taken up with ‘scaping in recent times, it’s almost a novelty to hear him rocking it up like he does on Time Groove from Boston and Queer Jazz NYC. Despite all the technology involved this is a pared-back sound compared to previous projeKcts, and there's a tentative, exploratory quality about much of the music; two players in search of that often elusive moment, an intriguing aspect which provides much of the tension and appeal.