Giuseppe Sinopoli, Orchester der Bayreuther Festspiele - Wagner: Parsifal (2014/1998) [Blu-Ray]

Wagner - Parsifal (Giuseppe Sinopoli) (2014/1998) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 14298 kbps / 1080i / 29,970 fps | 268 min | 43,0 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4069 kbps / 24-bit

BluRay-rip | AVC | MKV 1280x720 / 6215 kbps / 29,97 fps | 268 min | 14,5 Gb
Audio: German / DTS / 6ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: German, English, French, Spanish, Japanese, Korean

A timelessly classical Parsifal from the 1998 Bayreuth Festival in a mystically poetic staging that exerts an unbroken fascination not least as a result of its expressive lighting effects. Under the direction of the great Wagner conductor Giuseppe Sinopoli, the four main roles are taken by Poul Elming, Linda Watson, Falk Struckmann and Hans Sotin - one of the strongest line-ups in Bayreuth´s more recent history. "Giuseppe Sinopoli coaxed an outstanding performance from the Festival Orchestra and Chorus, throwing light on the elaborate score from an agreeable distance and investing the music with a meditatively flowing quality rather than the usual bombast" (Opernglas)
Philharmonia Orchestra, Giuseppe Sinopoli - Elgar: Symphonies No.1 & No.2, Pomp and Circumstance, In the South (1996)

Philharmonia Orchestra, Giuseppe Sinopoli - Elgar: Symphonies No.1 & No.2, Pomp and Circumstance, In the South (1996)
EAC | FLAC (image+.cue, log) | Covers Included | 02:36:23 | 699 MB
Genre: Classical | Label: Deutsche Grommophon | Catalog: 453 103-2

Elgar's two symphonies are good example of interpretations of music being stuck thanks to the strange British conservatism. If you listen to 10 recordings of these symphonies by 10 British conductors, they all sound more or less same in terms of interpretation: controlled, noble, beautiful Elgarian rubato and so on.
Giuseppe Sinopoli / Philharmonia Orchestra - Mahler-Sinopoli: The Complete Recordings (15 CD Box Set) (2001)

Giuseppe Sinopoli / Philharmonia Orchestra - Mahler-Sinopoli: The Complete Recordings (15 CD Box Set) (2001)
Classical | MP3 320 kbps CBR | 940 min | 2,2 GB
Label: Deutsche Grammophon | Rel:2001

Gustav Mahler (German pronunciation: [staf mal]; 7 July 1860 – 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. He was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kalit in the Czech Republic. Then his family moved to nearby Iglau (now Jihlava) where Mahler grew up. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century…
Shlomo Mintz, Giuseppe Sinopoli - Beethoven: Violin Concerto, Romances (1988)

Shlomo Mintz, Giuseppe Sinopoli - Beethoven: Violin Concerto, Romances (1988)
EAC | FLAC (tracks+.cue, log) - 294 MB | MP3 (CBR 320 kbps) - 164 MB | Covers Included | 01:05:22
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4230642

Judging simply by timings, Mintz and Sinopoli seem to have decided on a middle path in their approach to the first movement of this concerto: they take nearly a minute less over it than Mutter and Karajan (also on DG), about a minute and a half more than Perlman and Giulini on EMI. Using ears rather than a stopwatch, however, they seem to be giving by far the slowest performance of the movement that I have heard in years. It is a reading from which anything which might savour of soloistic display has been expunged, in which no note, even one of a flourish of semiquavers, is allowed to be 'merely' decorative. Mutter is fond of polishing every note like a jewel, too, but the very opening of the concerto in hers and Karajan's reading sounds positively sprightly set beside the newcomer. The moment Mutter enters the speed slackens markedly, but Karajan watchfully assures that the pulse returns with each tutti, and a sense of momentum is present throughout, even during the soloist's most wayward rhapsodizings.

Verdi - Macbeth (Giuseppe Sinopoli) (2015/1987) [BluRay-rip]  Music

Posted by Vilboa at June 15, 2016
Verdi - Macbeth (Giuseppe Sinopoli) (2015/1987) [BluRay-rip]

Verdi - Macbeth (Giuseppe Sinopoli) (2015/1987) [BluRay-rip]
BluRay-rip | AVC | MKV 1280x720 (4:3) / 2762 kbps / 29,97 fps | 149 min | 4,49 Gb
Audio: Italian / PCM / 2ch / 48.0 KHz / 16 bits
Classical | Arthaus Musik | Sub: English, German, French, Spanish, Italian

Macbeth signifies the beginning of Verdi"s life-long preoccupation with William Shakespeare where he came close to emulating the master with his congenial composition of Othello and whom he even surpassed with Falstaff. Aware of the great musical as well as literary challenge, Verdi wrote the scenario himself and essentially concentrated the piece on three main protagonists: Macbeth, Lady Macbeth and the prophecy of the witches . . . During the first performance on 14 March 1847 in Florence the audience reacted with great displeasure. The piece only gradually established itself in the world of opera. Luca Ronconi’s new production of Verdi’s early masterpiece which was first performed in June 1987 at the Deutsche Oper in Berlin was received in Germany and around the world with great praise.
Gustav Mahler - Nine Symphonies, Orchestral Songs, etc. - Sinopoli (2015) {17CDs Deutsche Grammophon}

Gustav Mahler - Nine Symphonies, Orchestral Songs, etc. - Sinopoli (2015) {17CDs Deutsche Grammophon}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.88 Gb
Full Artwork @ 300 dpi (png) -> 214 Mb | 5% repair rar
© 2015 Deutsche Grammophon
Classical / Romantic / Symphonic

My first reaction was to wonder whether we had not passed saturation-point for recordings of Mahler's Fifth Symphony. Over a dozen are currently available, of which any one of those mentioned above should satisfy the needs of even an insatiable Mahlerian. All are performances on insight, executed in majestic style, and several are available on CD. Now comes Sinopoli to add to the pile. Remembering colleagues' reviews of his London performances of Mahler, I put this recording on the turntable with misgivings. But I have to report that I now gladly make room for this remarkable performance alongside my other favourites. It does not displace them, but it complements them.
Part of the art of conducting seems to me to lie in the ability to make the listener attend afresh to familiar music, to reveal new or different facets. This is what Sinopoli does here, and whatever may go on in the concert hall (I have not heard him there), in the recording studio, judging by this release, the most certainly does not miss or misjudge the spirit of the music.
Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012) [Mischa Maisky, Giuseppe Sinopoli]

Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012)
Mischa Maisky, cello; Philharmonia Orchestra, conducted by Giuseppe Sinopoli

EAC | FLAC | Image (Cue&Log) ~ 344 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 478 3619 GB | Time: 01:14:33

Enigma Variations is the work that secured Elgars reputation as a composer of international significance. The 14 variations are all character portraits of friends, including his wife and the composer himself, the most famous being the ninth, the achingly nostalgic Nimrod. The Cello Concerto is Elgars last substantial work and has become not only one of his best loved, but also one of the most popular concertos ever written for the instrument.
Giuseppe Sinopoli, Metropolitan Opera Orchestra, Hildegard Behrens, Placido Domingo - Puccini: Tosca (2006/1985)

Puccini - Tosca (Giuseppe Sinopoli, Hildegard Behrens, Plácido Domingo) (2006/1985)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | (Dolby AC3, 6 ch) | 7.57 Gb (DVD9) | 123 min
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

"This is certainly one of the most stunning productions in a house famous for stunning productions." (Newark Star-Ledger) "Behrens sang admirably in her own exciting style, with the bright tone and house-filling penetration that we have come to expect of this artist". (The New York Times) " Domingo's Cavaradossi is a gorgeous piece of singing". (New York magazine)
Puccini - Manon Lescaut (Giuseppe Sinopoli, Kiri Te Kanawa, Placido Domingo) (2003/1983)

Puccini - Manon Lescaut (Giuseppe Sinopoli, Kiri Te Kanawa, Plácido Domingo) (2003/1983)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 7.42 Gb (DVD9) | 129 min
Classical | NVS ARTS | Sub: English, Francais, Deutsch, Italiano, Espanol, Japanese

This famous production of Manon Lescaut from The Royal Opera, recorded in 1983, features two of the biggest stars in opera, Placido Domingo and Kiri Te Kanawa, in their vocal prime. Placido Domingo’s performance of Des Grieux is considered to be unsurpassed. Conductor Guiseppe Sinopoli made his British operatic debut with this production. Puccini’s first masterpiece was rapturously received on its first night. It has his hallmark sensuality and also a youthful freshness, its untamed outpouring of melody just as passionate as his more famous operas, La Boheme, Tosca and Madame Butterfly. The role of Des Grieux is one of the most taxing in the tenor repertoire and Domingo’s passionate portrayal is one of his greatest achievements.
Guiseppe Sinopoli / Philharmonia Orchestra - Schubert / Mendelssohn (1984, Deutsche Grammophon # 410 862-2)

Franz Schubert- Symphony no. 8 "Unfinished" / Felix Mendelssohn- Symphony no.4 "Italian"
Philharmonia Orchestra / Guiseppe Sinopoli
EAC+LOG+CUE | FLAC: 224 MB | Full Artwork: 60 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 410 862-2 | Country/Year: Germany 1984
Genre: Classical | Style: Romantic

Conductor Giuseppe Sinopoli was one of the world's great conducting stars. He gave powerful, psychologically penetrating, even expressionist, performances that were often highly controversial… Giuseppe Sinopoli recorded exclusively for Deutsche Grammophon. He died at the Deutsche Oper Berlin of a heart attack while conducting the third act of Aïda.