Siouxsie And The Banshees A Kiss in The Dreamhouse

Siouxsie and The Banshees - A Kiss in the Dreamhouse (1982) [Non-Remastered]

Siouxsie and The Banshees - A Kiss in the Dreamhouse (1982)
EAC | FLAC | Image (Cue&Log) ~ 262 Mb (incl 5%) | Mp3 (CBR320) ~ 91 Mb (incl 5%) | Scans ~ 71 Mb
Genre: Post-Punk, Gothic Rock, New Wave | Label: Polydor | # 839 007-2 | Time: 00:37:49

A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees. It was released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands" of the post-punk era. In August 2007, it was ranked No. 1 on Mojo magazine's list of the best albums of 1982.

Siouxsie and The Banshees - Tinderbox (1986) [Non-Remastered]  Music

Posted by Designol at Sept. 14, 2016
Siouxsie and The Banshees - Tinderbox (1986) [Non-Remastered]

Siouxsie and The Banshees - Tinderbox (1986)
EAC | FLAC | Image (Cue&Log) ~ 441 Mb (incl 5%) | Mp3 (CBR320) ~ 175 Mb (incl 5%) | Scans included
Alternative Rock, Post-Punk, Gothic Rock, New Wave | Polydor | # 829 145-2 | Time: 01:01:54

Tinderbox is the most musically up-tempo of all Siouxsie and the Banshees' albums and the most stylistically consistent one since The Scream and Join Hands. Most of the selections here feature urgently rocking drumming, drivingly aggressive yet fully textured guitar playing, and masterful, gutsy singing. The songs here are intense and unfold slowly, some starting off less vigorously but becoming hard rockers further along. There is of course a fine line between consistency and lack of contrast, but this album stays firmly on the side of the former; in fact, there's a certain satisfying feel to the musically uniform wall of sound here. The arrangements are less complex than in immediately preceding albums, but there are still plenty of subtle, effective production touches to be found throughout, most notably in the song "Cannons." "Cities in the Dust," a dance-pop number with a bell-like synthesizer opening section, stretches the above-mentioned boundaries the most, though typically bleak lyrics keep this selection from any sense of vacuity. This excellent release is well worth purchasing.
Siouxsie And The Banshees - A Kiss in the Dreamhouse (1982) Expanded Remastered 2009

Siouxsie And The Banshees - A Kiss in the Dreamhouse (1982) Expanded Remastered 2009
EAC | FLAC | Tracks (Cue&Log) ~ 462 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 187 Mb (incl 5%) | Scans included
Genre: Alternative Rock, Post Punk, Goth Rock, New Wave | Label: Polydor | # 531 489-6 | Time: 00:56:34

2009 digitally remastered and expanded digipak edition of the classic Banshees album from 1982 featuring four bonus tracks including the epic 12" versions of 'Fireworks' and 'Slowdive' plus the previously unreleased demo versions of 'Painted Bird' and 'Cascade'. Siouxsie & The Banshees began life as a Punk outfit (with Sid Vicious on drums, no less!) before mutating into Post-Punkers on their way to becoming one of the most influential Goth Rock band on the scene. To this day, over 10 years after their disintegration, the band's fanatical fan base continues to grow.

Siouxsie And The Banshees - The Rapture (1995)  Music

Posted by Designol at Sept. 15, 2016
Siouxsie And The Banshees - The Rapture (1995)

Siouxsie And The Banshees - The Rapture (1995)
EAC | FLAC | Image (Cue&Log) ~ 397 Mb (incl 5%) | Mp3 (CBR320) ~ 162 Mb (incl 5%) | Scans included
Genre: Alternative Rock, Post-Punk, Dance-Rock | Label: Polydor | # 523725-2 | Time: 00:54:12

It would have been easy to write off the Banshees after the so-so Superstition, especially given the fact that it came after two uneven and disappointing albums (including the unnecessary covers collection Through the Looking Glass) Frankly, one of punk's most consistently invigorating acts seemed to have run their course. Sure enough, The Rapture proved to be their final recording. The surprise is that it's a career highpoint. The band deny, incidentally, that they knew this was to be their last album. Quite how Siouxsie, Severin and Budgie rediscovered their chemistry is a moot point - some credited producer John Cale, who worked on four tracks - but rediscover it they did. Despite nods to the band's past in the savage "Not Forgotten," the real gems are the sunny-side-up "O, Baby" (when did Siouxsie ever sound so genuinely happy?) and an 11-minute title-track that is as dazzling as anything they have ever performed. A classic case of leaving the scene on a high note, and a fitting final chapter from one of punk's finest, and most dignified, bands.
Siouxsie And The Banshees - Once Upon A Time: The Singles (1981)

Siouxsie And The Banshees - Once Upon A Time: The Singles (1981)
EAC | FLAC | Tracks (Cue&Log) ~ 232 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 90 Mb (incl 5%) | Scans included
Genre: Post Punk, New Wave, Gothic Rock, Alternative Rock | Label: Polydor | # 831 542-2 | Time: 00:32:51

Once Upon a Time: The Singles collects all ten of Siouxsie and the Banshees' A-sides spanning the years 1978-1981, with four songs otherwise unavailable on LP. It's a neat and accessible encapsulation of the group's early guitar-driven sound – a frosty, dissonant art punk that had a tremendous impact on the emerging goth rock scene. Unlike similarly forbidding work by such proto-goth contemporaries as Joy Division or the Cure, the early Banshees were tense and visceral; the darkness of the Once Upon a Time singles doesn't come from a sense of downcast gloom so much as it does from a jittery angst. Yet as challenging as the music is, it's also accessible enough for eight of these singles to have charted in the British Top 50. The melodies are angular and almost alien, yes, but oddly memorable once the listener has assimilated them. Starting shortly after the period covered by this collection, Siouxsie Sioux's icy detachment would be fused with an elegant romanticism and lusher, smoother arrangements.
Siouxsie And The Banshees - Through The Looking Glass (1987) [Non Remastered]

Siouxsie And The Banshees - Through The Looking Glass (1987) [Non Remastered]
EAC | FLAC | Image (Cue&Log) ~ 290 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 117 Mb (incl 5%) | Scans included
Genre: Alternative Rock, Post Punk, Goth Rock, New Wave | Label: Polydor | # 831 474-2 | Time: 00:43:46

Through the Looking Glass is the eighth studio album from Siouxsie and the Banshees containing cover versions of songs written and originally performed by other artists.
Siouxsie And The Banshees - The Scream (1978) 2CD Deluxe Edition Expanded Remastered 2005

Siouxsie And The Banshees - The Scream (1978) 2CD Deluxe Edition Expanded Remastered 2005
EAC | WV | Image (Cue&Log) ~ 658 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 281 Mb (incl 5%) | Scans included
Genre: Post Punk, New Wave | Label: Polydor/Universal | # 983 238-8 | Time: 01:32:28

The Banshees debut album has now been Digitally Remastered from the original master tapes and has been expanded with a second disc of early demos, singles and two seminal John Peel Sessions from 1978 and 1979. Contains 1 previously unreleased song , 'Make Up To Break Up', and Previously Unreleased early demos of 'Metal Postcard', 'Suburban Relapse', 'Staircase Mystery', 'Mirage' and 'Nicotine Stain'. As well as featuring the two seminal John Peel Sessions from '78 and '79, Disc 2 also features early demo versions fo songs recorded at The Riverside and Pathway Studios prior to the band signing to Polydor. Also contains the hit singles 'Hong Kong Garden' ( #7 in August 1978 ) and 'Staircase Mystery' ( #24 in March 1979 ).
Siouxsie and the Banshees - Kaleidoscope (UK 1st pressing) Vinyl rip in 24 Bit/ 96 Khz + CD

Siouxsie and the Banshees - Kaleidoscope (1980)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 887 Mo, 264 Mo | 5% RAR Recovery
Styles: Post-Punk | RapidShare Download
Polydor Records

Allmusic's David Cleary described it as a "strong record" with "extraordinarily imaginative production values featuring intricate synthesizer-flecked arrangements; psychedelic touches in "Christine," spaceship synthesizer swoops in "Tenant," and rhythmic camera clicks in "Red Light" all enliven their respective songs".[1] Melody Maker's Paulo Hewitt also praised the album and qualified "Paradise Place" and "Skin" as "classic Banshee pieces. Hypnotic, relentless and incisive, both feature Steve Jones on guitar, revealing a hitherto unknown side of the (S)ex-Pistol"
Perfect pressing and mastering.
Enjoy!!!
Siouxsie And The Banshees - Twice Upon A Time: The Singles (1992)

Siouxsie And The Banshees - Twice Upon A Time: The Singles (1992)
EAC | FLAC | Tracks (Cue&Log) ~ 535 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 211 Mb (incl 5%) | Scans included
Genre: Post Punk, Goth Rock, New Wave, Alternative Rock | Label: Polydor | # 517 160-2 | Time: 01:16:00

Siouxsie Sioux has always maintained that it was not her intention to create the goth rock movement. While that lofty statement may be a little self-serving, it's partly right. The Banshees' post-1982 singles (documented in entirety on Twice Upon a Time) have a lush and expansive sound that directly influenced the goth sound. From the opening of "Fireworks" it is immediately apparent that Siouxsie and the Banshees were growing up. By the time of "Peek-a-Boo," the band had learned how to incorporate its early dissonance with its majestic, late-'80s sound. The Twice Upon a Time collection is one great step after another, with the only drawback being a poor remix of 1991's "Fear of the Unknown." A solid introduction for the unknowing.
Siouxsie And The Banshees - Peepshow (1988) None Remastered

Siouxsie And The Banshees - Peepshow (1988) None Remastered
EAC | FLAC | Tracks (Cue&Log) ~ 260 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 111 Mb (incl 5%) | Scans included
Genre: Alternative Rock, Post Punk, Goth Rock, New Wave | Label: Polydor | # 837 240-2 | Time: 00:42:45

Peepshow is the ninth studio album by Siouxsie and the Banshees and their first as a quintet. With the arrival of multi-instrumentalist Martin McCarrick, Peepshow was one of their most musically complex albums, including the singles "Peek-a-Boo" and "The Last Beat of My Heart". The album was both a critical and a commercial success, peaking at number 68 on the Billboard 200 chart.