Elizabeth Kenny, as a young nurse out in the Australian bush discovers an effective treatment for polio, but can't get official recognition or sanction for her techniques and theories. For more than three decades (while she tells her fiancée she can't marry him, and repeatedly confronts the pigheaded orthopedic specialist Dr. Brack), she is prevented from treating acute cases and is ridiculed, while she seeks formal recognition for the efficacy of her treatment.
Kenny Rankin sings like Chet Baker would have if Baker had had a voice. His tone is high (Rankin's speaking voice is actually fairly low) and he has a subtle, cool style. It is a bit of a surprise, but Rankin (whose previous output has been in pop music) is actually a fine jazz singer. He always sticks to the lyrics when performing veteran standards (there is no scatting), but changes many of the notes, even during the melody statements, and he is definitely improvising. Rankin's concept is kind of strange ("At Last" and "The Very Thought of You" are radically changed) but successful and he has a strong and likable voice. An all-star acoustic trio (consisting of pianist Mike Wofford, bassist Brian Bromberg, and drummer Roy McCurdy) backs the singer on most of the tracks, Tom Scott (on tenor and alto) and trombonist Bill Watrous add melodic bop solos to three songs apiece, "It Had to Be You" is taken as a romping duet with pianist Alan Broadbent, and the remarkable singer Sue Raney interacts with Rankin on "I've Got a Crush on You." This surprising CD is highly recommended.