Some Kind Of Monster

Metallica - Some Kind Of Monster (2004/2016) [Official Digital Download]

Metallica - Some Kind Of Monster (2004/2016)
FLAC (tracks) 24-bit/44,1 kHz | Time - 43:20 minutes | 562 MB
Studio Master, Official Digital Download | Artwork: Front cover

"Some Kind of Monster" is the fourth single by Metallica, taken from the eighth studio album St. Anger. The live B-sides are all taken from the previous single release "The Unnamed Feeling" EP. "Some Kind of Monster" was Nominated for Grammy Award for Best Hard Rock Performance in 2005
Buzzcocks - A Different Kind Of Tension (EMI Electrola 1C 064-82 745) (GER 1979) (Vinyl 24-96 & 16-44.1)

Buzzcocks - A Different Kind Of Tension
FLAC | NO LOG & CUE | Artwork | 24Bit: 879 MB | 16Bit: 288 MB
Cat#: EMI Electrola 1C 064-82 745 | Country/Year: Germany 1979
interchangeable mirrors at rapidshare.com - filefactory.com

A Different Kind of Tension was Buzzcocks' third album, released in 1979. It charted at number 42 in the United Kingdom and number 163 in the United States.
This is the last part of my Buzzcocks uploads. Enjoy!
Queen - A Kind Of Magic (1986) [Japanese Limited SHM-SACD 2012] PS3 ISO + Hi-Res FLAC {RE-UP}

Queen - A Kind Of Magic (1986) [Japanese Limited SHM-SACD 2012 # UIGY-9526]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:25 minutes | Scans included | 1,29 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 848 MB
based on Digital Remaster 2011
Bill Evans - Some Other Time (1968/2016) [Official Digital Download DSD 128]

Bill Evans - Some Other Time: The Lost Session From The Black Forest (1968/2016)
DSF tracks 2CH, 1bit/5.64MHz | Digital Booklet | 7.4GB + 5% Recovery
Studio Master, Official Digital Download, 2xHD

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Bill Evans - Some Other Time: The Lost Session From The Black Forest (1968/2016) [24/192]

Bill Evans - Some Other Time: The Lost Session From The Black Forest (1968/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 93:39 minutes | 3,2 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Al Di Meola ‎- Casino ‎(1978) Columbia/PC 35277 - Original US Pressing - LP In 24bit/96kHz

Al Di Meola ‎- Casino
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered By Robert Ludwig
Label: Columbia/PC 35277 | Release: 1978 | Genre: Jazz-Rock

Excellent addition to any prog rock music collection
ADM's third solo album, Casino, is the last I'll consider as excellent, although it is clear his future albums will not lack good moments. Indeed, Casino even won some kind of music awards in some mag, In this album, he's backed by his former bandleader Barry Miles (ADM had played with them before getting a call from Chick Corea to join up RTF), percussion greats Mingo Lewis and Steve Gadd. One of the new twist is that the foursome form a real band with Mingo Lewis even allowed a song.

Dan Laurin - Rock That Flute (2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 27, 2016
Dan Laurin - Rock That Flute (2015) [TR24][OF]

Dan Laurin - Rock That Flute
Classical | FLAC (tracks) 24-bit/96 kHz | 57:36 min | 0.98 GB | Digital booklet
Label: BIS (BIS2145) | Tracks: 15 | Rls.date: 2015

Originally conceived by the maker Adriana Breukink in 2008, the 'Eagle' recorder has rapidly developed into an instrument which combines a large sound with a wide range – making it ideal for playing with modern instruments. When the Swedish recorder virtuoso Dan Laurin first encountered it, he was fascinated but also puzzled. What kind of music could he play on this instrument? Coming into contact with the Dutch composer Chiel Meijering he soon found out: Meijering – who had started to write for the recorder as early as 1979 – had developed a passion for the new model.

Dean Martin - The Dean Martin TV Show (1966/2014) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 22, 2016
Dean Martin - The Dean Martin TV Show (1966/2014) [TR24][OF]

Dean Martin - The Dean Martin TV Show
Vocal Jazz, Traditional Pop | FLAC (tracks) 24-bit/96 kHz | 24:03 min | 496 MB | Front Cover
Label: Legacy Recordings | Tracks: 10 | Rls.date: 1966/2014

For two and a half years following the spring 1964 release of "Everybody Loves Somebody," Dean Martin cloned numerous successors to his comeback hit, all of them employing the prominent backbeat and vocal chorus, the triplets driving the rhythm, as well as a lengthy series of country-pop efforts that borrowed from the Nashville sound for a kind of Hollywood sound that might have made the country charts if the singer had not been the pride of Steubenville, OH, by way of Beverly Hills.
Babatunde Olatunji - Circle Of Drums (2005) [2.0 & 5.1] PS3 ISO + FLAC {RE-UP}

Babatunde Olatunji - Circle Of Drums (2005) [2.0 & 5.1]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 62:54 minutes | Scans included | 3,63 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,11 GB

Recorded in 1993 but only released in 2005, two years after his death, it's a mystery why this sat in the vault for so long. Here the Nigerian master drummer collaborates with Sikiru Adepoju and Muruga, and the results are as good as anything he released in his prime during the 1960s. He can conjure up a groove out of nothing, making it flow and ebb, while the drummers talk to each other with their instruments. It's not quite all percussion, however, as the one-string ektar fiddle, synth, chants, and even (surprisingly) hammered dulcimer enter the mix. Each of the six tracks gets time to develop, and it's the kind of disc that will have listeners performing workouts on their bodies (keeping up, however, is a different matter). It's readily apparent just how good these guys were during this session, making it sound so easy. Olatunji might no longer be with us, but on this disc he leaves a strong legacy.
Peter Gabriel - Passion: Music For The Last Temptation Of Christ (1989/2016)  [Official Digital Download 24bit/96kHz]

Peter Gabriel - Passion: Music For The Last Temptation Of Christ (1989)
FLAC tracks 24bit/96kHz | Front Cover | 1.34GB + 5% Recovery
Studio Master, Official Digital Download, B&W

Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time. Remarkably dramatic, even visual, it is not only Gabriel's best film work but deserving of serious consideration as his finest music of any kind; equally worthwhile is Passion – Sources, which assembles the original native recordings which served as his creative launching pad.