Yo no quiero volverme tan loco is the third and last live album of Serú Girán recorded in December 1981 and released in 2000. It was recorded at the Teatro Coliseo in Buenos Aires.
The Wife of Seishû Hanaoka is set in feudal Japan. Its two central characters are based on the wife and mother of Japanese physician Seishû Hanaoka (1760-1835). Hanaoka developed a herbal general anaesthetic, "Tsusensan", some forty years before the better-known innovations of his American counterparts Long, Wells and Morton. Hanaoka performed the world's first mastectomy under general anaesthesia in October 1804. His disciples and trainees continued the surgical tradition he founded after his death. The neglected wife of Seishû Hanaoka, who is doing research on general anesthesia, chooses to become his guinea pig in order to get his further attention.
Bach showed that the cello can dance, but composers from Rossini to Shostakovich have favored it as an instrument of pensive reflection and brooding melancholy. The playful cover photo notwithstanding, SOLO features Yo-Yo Ma in five 20th century cello works of a serious nature, all with folk influence and all echoing at least a bit of the troubles of the times in which they were written.
With adventurous crossover projects coming one after another from Yo-Yo Ma, it's nice to be able to revisit some of the performances that brought him to the top of the heap among cellists and among classical musicians in general. This disc includes Dvorák performances by Ma from various 1990s discs, with his lovely 1995 reading of the Cello Concerto in B minor, with Kurt Masur leading the New York Philharmonic, as the centerpiece.
The reissue game continues. All of this material has been available more or less continuously in recent years, with the exception of Frühbeck's Three-Cornered Hat, which only resurfaced quite recently on an EMI twofer accompanied by Atlántida. The reason it reappears here, evidently, stems from the fact that this two-disc set contains all of Victoria de Los Angeles' stereo Falla recordings; and despite the fact that she sings for about 60 seconds in total in "Hat", it's always a pleasure to hear Frühbeck's big-hearted, expansively Romantic but always exciting way with the music.