Forty Hours' Devotion, called Quarant' Ore or written in one word Quarantore, is a Roman Catholic exercise of devotion in which continuous prayer is made for forty hours before the Blessed Sacrament exposed. It commonly occurs in a succession of churches, with one finishing prayers at the same time as the next takes it up.wiki
…So for most of us, just listening to the lively, polished performances by male and female singers, accompanied by various period instruments will be enjoyment enough–but for the more curious, the extensive and very well written liner notes offer a fine introduction to the deeper meaning of the texts and provide important context for each song. Four instrumental selections round out this flawlessly recorded program, enhanced by the ambience of the Spanish monastery venue.
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.
Acclaimed poet Dr John Cooper Clarke and esteemed singer / songwriter (and founding member of The Stranglers) Hugh Cornwell have teamed up to release their first album, This Time It’s Personal. It's a match made in the rock 'n' roll heaven of their respective youth and, just as their eyebrow-raising new album says, This Time It's Personal. Featuring classic tracks that they both grew up listening to, the album is the surprising duo’s first collaboration.
BOB DYLAN The Original Mono Recordings (2010 Japanese-issue Deluxe Edition 9-CD album set - limited to 5000 'The Original Mono Recordings' collects Bob Dylan's first records as he mixed them and as they were originally meant to be heard - in mono.
Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.
En Vivo Conciertos España is the first release of new material in seven years, and first live album in 18, by the flamenco guitar god par excellence. While de Lucía's output has slowed down considerably in the past two decades, the same cannot be said of his prodigious dexterity, in light of this two-CD set culled from his 2010 Spanish tour. De Lucía performs extended variations of eight of his compositions (almost every track surpasses the ten-minute mark) together with his new band of guitarist Antonio Sánchez, bassist Alain Pérez, singers David de Jacoba and Duquende, harmonica player Antonio Serrano, and dancer Farru, all eminently up to de Lucía's notoriously high standards. A DVD with the "making-of" documentary La Inmortalidad del Concierto completes the release.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Spanish classical music had always aroused profound interest in Paco de Lucía. First came the album Lorca (1967), the records of Andalusian and Iberoamerican classics (65-69), afterwards came his magnificent work with Falla (1968) and from 1991 we must add this Concierto de Aranjuez and three pieces from the ‘Suite Iberia’ by Albeniz. His pledge here is clear: to offer out of the most profound respect a new perspective on the Classical Spanish canon, in Flamenco.
"…This release focuses on the Spanish Court of Ferdinand and Isabella and the music is drawn from three "Cancioneros," or Spanish songbooks, from the early Renaissance era. There is an amazing range of material presented among the 31 tracks on the disc, from gentle instrumental solos to bombastic courtly dances and even some folksy-sounding secular choral pieces. Although the Dufay Collective is primarily known as an instrumental group, all of the vocalizing here is splendid, with the singing of Vivian Ellis being particularly outstanding in its ease of delivery and tasteful use of decoration. This recording comes highly recommended." 4,5/5 ~AMG