Stefania Rossini

Fare di necessita virtù  eBooks & eLearning

Posted by AlenMiler at Dec. 31, 2014
Fare di necessita virtù

Fare di necessita virtù. Tanti nuovi, imperdibili consigli di autoproduzione della blogger low-cost più famosa del web di Stefania Rossini
Italiano | 20 marzo 2014 | ISBN: 8871364899 | 136 Pagine | EPUB/MOBI/AZW3/PDF (Converted) | 4 MB

Ormai giunta al suo terzo libro (dopo "Vivere in 5 con 5 euro al giorno" e "Cucinare guadagnando in soldi e in salute"), Stefania Rossini conferma la sua scelta a favore della "decrescita felice". Un'altra vita, sobria e in armonia con i ritmi della Madre Terra, è davvero possibile, senza dover stravolgere la propria esistenza con rinunce frustranti.
Rossini - La Donna del lago (Michele Mariotti) (2015) [Blu-Ray]

Rossini - La Donna del lago (Michele Mariotti) (2015) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 31000 kbps / 1080i / 29,970 fps | 165 min | 43,3 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: Dolby Digital Audio / 5.1 / 48 kHz / 640 kbps

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 165 min | 7,93 Gb
Audio: Italian / AC3 / 6ch / 48.0 KHz / 640 kbps
Classical | Erato | Sub: Italian, English, French, German, Spanish

The Metropolitan Opera give this live performance of Rossini's work based on the poem by Sir Walter Scott. Michele Mariotti conducts the Metropolitan Opera Orchestra and Chorus with Joyce DiDonato as Elena, the lady of the lake, who loves the heroic Malcolm (Daniela Barcellona). However, King James V (Juan Diego Flórez) arrives in the Highlands and sets his sights on Elena while her father Douglas (Oren Gradus), who is rebelling against the King's rule, promises his daughter to clan chief Rodrigo (John Osborn).
Marie-Nicole Lemieux - Rossini: Opera Arias & Duets (Live) (2017) [Official Digital Download 24/96]

Marie-Nicole Lemieux - Rossini: Opera Arias & Duets (Live) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 79:32 minutes | 1.40 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

“Rossini has been a revelation for me,” says Canadian contralto Marie-Nicole Lemieux. The first fruit of her exclusive Erato contract is this live recording from Montpellier of arias and duets from Tancredi, Semiramide, L’italiana in Algeri and other serious and comic operas by the composer. She is joined by soprano Patrizia Ciofi and conductor Enrique Mazzola, also her partners for a 2014 staging of Tancredi in Paris, which prompted La Croix to praise her as “a generous artist with a voice that is both ample and easily produced across its entire tessitura … from the depths to top notes that flash like a cavalier’s sabre.”

Julia Lezhneva - Rossini (2011)  Music

Posted by SERTiL at April 11, 2017
Julia Lezhneva - Rossini (2011)

Julia Lezhneva - Rossini
EAC Rip | FLAC (image)+cue, log, covers | 57:55 min | 237 MB
Label: Naïve - V 5221 | Tracks: 07 | Rls.date: 2011
Classical, Opera

Russian soprano Julia Lezhneva was only 20 when she made this recording of scenes and arias from Rossini operas, but she was already a veteran, having recorded Bach's Mass in B minor for Naïve when she was 18. Lezhneva has the solid lower register and timbral fullness that ideally equips her for the Rossini roles that can be taken by either mezzo-soprano or soprano. She is entirely at ease as Cenerentola, a role designated as contralto.

Rossini - Semiramide (Ion Marin) [1994]  Music

Posted by Vilboa at April 4, 2017
Rossini - Semiramide (Ion Marin) [1994]

Rossini - Semiramide (Ion Marin) [1994]
Classical | Deutsche Grammophon 437 797-2 | TT: 59.45+74.48+72.49 | EAC (flac, cue, log) | Covers | 831 Mb

Semiramide is Rossini's last opera seria. The title role was written for his wife, Isabella Colbran. The extremely florid vocal style is often a vehicle for spectacular vocal display rather than an intrinsic part of the score. The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are also of a high order, as is the orchestral writing, which makes full use of a large pit. The work starts with a well-known overture, and throughout it calls for outstanding singers in the leading soprano and contralto roles. Semiramide is occasionally performed but is not part of the standard operatic repertoire.

Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)  Music

Posted by Designol at March 5, 2017
Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)

Franco Fagioli, Armonia Atenea, George Petrou - Gioachino Rossini (2016)
EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Scans included | Time: 01:15:21
Genre: Classical, Vocal | Label: Deutsche Grammophon | # 479 5681

Countertenor performances of 19th century opera are a historical and, ultimately, true novelty. This said, for those who love the sound of the countertenor voice and want to give it a try, there are several factors that recommend this release by countertenor Franco Fagioli, with the small orchestra Armonia Atenea under George Petrou. First is that castrati were still around in Rossini's time, although on the decline, and the composer was reportedly intrigued by their voices. Second, Fagioli, unlike the vast majority of other countertenors, studied bel canto singing rather than Baroque repertory exclusively, and a certain distance present in the work of other countertenors is absent here. And third, and most important, is Fagioli's voice itself. Of the countertenors active today, he's the one with the range, the power, the attitude to make you suspend disbelief and think for a moment that you're actually listening to a castrato. He enters into the various Rossini roles represented on this recording, several of which were mezzo-soprano "pants" roles; this adds to the layers of identity-switching happening, and the parts hit Fagioli's vocal sweet spot. A bonus is that several of these are from Rossini opere serie that are little played or recorded.

Rossini - Semiramide (Antonino Fogliani) [2013]  Music

Posted by Vilboa at Jan. 27, 2017
Rossini - Semiramide (Antonino Fogliani) [2013]

Rossini - Semiramide (Antonino Fogliani) [2013]
Classical | Naxos 8.660340-42 | TT: 221.44 | EAC (FLAC, cue, log) | Covers | 918 Mb

Following his triumphant visit to Vienna in 1822, when several of his operas were extremely well-received, international success beckoned for Rossini. First performed at La Fenice, Venice in 1823, Semiramide was Rossini’s last Italian opera, written at the height of his creative powers. Its subject is Greek tragedy for which librettist Gaetano Rossi drew on an adaptation by Voltaire. Instrumentally sophisticated and classically structured, the opera remains one of the most remarkable examples of Rossini’s cultivation of bel canto. “This new Semiramide rivals Pesaro standards thanks to Fogliani’s ever-alert and lively conducting. His cast includes singers who challenge this long and wonderful opera’s most famous interpreters on disc…this is an unmissable bargain.” - Sunday Times

Rossini - La gazza ladra (Alberto Zedda) [2015]  Music

Posted by Vilboa at Jan. 19, 2017
Rossini - La gazza ladra (Alberto Zedda) [2015]

Rossini - La gazza ladra (Alberto Zedda) [2015]
Classical | Naxos 8.660369-71 | TT: 180.12 | EAC (FLAC, cue, log) | Covers | 772 MB

La gazza ladra (The Thieving Magpie) marked a culmination of the convergence of serious and comic elements in Rossini’s work. The result is an ideal hybrid: a tragic opera with a happy ending that rises to the status of true opera seria. With its outstanding dramatic and musical qualities it remains one of Rossini’s greatest and most successful operas, a constant presence in the repertoire since its triumphant 1817 première in Milan. This performance is conducted by Alberto Zedda, who made his conducting début in 1956, produced the first critical edition of La gazza ladra, and is widely acknowledged as one of the world’s foremost authorities on the operas of Rossini.

Rossini - Il viaggio a Reims (Antonino Fogliani) [2016]  Music

Posted by Vilboa at Jan. 14, 2017
Rossini - Il viaggio a Reims (Antonino Fogliani) [2016]

Rossini - Il viaggio a Reims (Antonino Fogliani) [2016]
Classical | Naxos 8.660382-84 | TT: 156.49 | EAC (FLAC, cue, log)| Covers | 637 Mb

The great writer Stendhal wrote of Il viaggio a Reims that “this opera is a feast”. The plot is a contemporary farce tailor-made for a particular occasion—the coronation festivities of Charles X—though Rossini valued the music so highly that he reused at great part of the score three years later in the opera Le Comte Ory. With a cast of ten principal and eight smaller rôles, this sparkling work is heard complete for the first time and in accordance with the critical edition prepared by the Fondazione Rossini and Casa Ricordi.

Rossini - Otello (Jesus Lopez Cobos) [1992/1978]  Music

Posted by Vilboa at Dec. 30, 2016
Rossini - Otello (Jesus Lopez Cobos) [1992/1978]

Rossini - Otello (Jesús López Cobos) [1992/1978]
Classical | Philips 432 456-2 | TT: 2.33'11'' | EAC (flac, cue, log) | Covers | 626 Mb

Otello (Naples 1816)…has a strong cast, headed by Carreras's searingly noble Moor. The Desdemona is Frederica von Stade: chaste and as luminous as a sculpture in Carrara marble. The set also displays casting in depth. In Rossini's day Naples was awash with great tenors, a situation that nowadays creates prodigious difficulties. Yet both the Iago, Gianfranco Pastine, and the Rodrigo, Salvatore Fisichella, emerge with honour, barely bloodied and never for a moment bowed by Rossini's terrible arsenal of vocal effects. ''They have been crucifying Otello into an opera,'' wrote Byron in 1818. Well, yes and no. By all means treat Acts 1 and 2 as flashy rodomontade, but Act 3 is glorious, inspired enough and sufficiently close to Shakespeare to have been a near fatal deterrant to what Verdi called his own ''chocolate project''. I thrilled to it afresh—off-stage Gondolier and all—in these brilliant new CD transfers. (Richard Osborne, Gramophone)