Stefania Rossini

Fare di necessita virtù  eBooks & eLearning

Posted by AlenMiler at Dec. 31, 2014
Fare di necessita virtù

Fare di necessita virtù. Tanti nuovi, imperdibili consigli di autoproduzione della blogger low-cost più famosa del web di Stefania Rossini
Italiano | 20 marzo 2014 | ISBN: 8871364899 | 136 Pagine | EPUB/MOBI/AZW3/PDF (Converted) | 4 MB

Ormai giunta al suo terzo libro (dopo "Vivere in 5 con 5 euro al giorno" e "Cucinare guadagnando in soldi e in salute"), Stefania Rossini conferma la sua scelta a favore della "decrescita felice". Un'altra vita, sobria e in armonia con i ritmi della Madre Terra, è davvero possibile, senza dover stravolgere la propria esistenza con rinunce frustranti.

Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)  Music

Posted by Designol at March 5, 2017
Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)

Franco Fagioli, Armonia Atenea, George Petrou - Gioachino Rossini (2016)
EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Scans included | Time: 01:15:21
Genre: Classical, Vocal | Label: Deutsche Grammophon | # 479 5681

Countertenor performances of 19th century opera are a historical and, ultimately, true novelty. This said, for those who love the sound of the countertenor voice and want to give it a try, there are several factors that recommend this release by countertenor Franco Fagioli, with the small orchestra Armonia Atenea under George Petrou. First is that castrati were still around in Rossini's time, although on the decline, and the composer was reportedly intrigued by their voices. Second, Fagioli, unlike the vast majority of other countertenors, studied bel canto singing rather than Baroque repertory exclusively, and a certain distance present in the work of other countertenors is absent here. And third, and most important, is Fagioli's voice itself. Of the countertenors active today, he's the one with the range, the power, the attitude to make you suspend disbelief and think for a moment that you're actually listening to a castrato. He enters into the various Rossini roles represented on this recording, several of which were mezzo-soprano "pants" roles; this adds to the layers of identity-switching happening, and the parts hit Fagioli's vocal sweet spot. A bonus is that several of these are from Rossini opere serie that are little played or recorded.

Rossini - Armida (Claudio Scimone) [2012/1991]  Music

Posted by Vilboa at Dec. 28, 2016
Rossini - Armida (Claudio Scimone) [2012/1991]

Rossini - Armida (Claudio Scimone) [2012/1991]
Classical | Brilliant Classics 94222 | TT: 76.10+76.45 | EAC (flac, cue, log) | Covers | 624 Mb

After its successful premiere, Rossini’s opera “Armida” was quickly forgotten, only to be triumphantly revived by Maria Callas in 1952, and ever since it is considered a masterpiece. This performance with primarily Italian forces, has all the wit, charm, beauty and sparkle that any Rossini opera can wish for. Some big names here: Cecilia Gasdia, Chris Merritt,William Matteuzzi and Ferruccio Furlanetto. Great addition to the Brilliant Classics Opera Collection. Armida is today considered one of Rossini’s greatest operas, but following its premier in Naples in 1817 it quickly faded from the standard operatic repertoire. Its plot of knightly duties, love and supernatural worlds (foreshadowing Weber in places) inspired the composer to write some of his most original and inimitable music, with unusual combinations of instruments and some beautiful extended solos for cello and violin.The love music is undeniably heartfelt and sincere; Rossini’s inspiration may have been assisted by his romantic involvement with the soprano Isabella Colbran, a major star of the time and the first to perform the title role.

Rossini - Tancredi (Roberto Abbado) [2012/1995]  Music

Posted by Vilboa at Dec. 26, 2016
Rossini - Tancredi (Roberto Abbado) [2012/1995]

Rossini - Tancredi (Roberto Abbado) [2012/1995]
Classical | Sony 88697985992 | TT: 73.52+67.20+67.33 | EAC (flac, cue, log) | Covers | 763 Mb

The splendidly florid music, and amazing opportunities for bel canto vocalism make up for it. This recording, using the critical edition, is outstanding on the vocal front. The stunning Bulgarian mezzo-soprano Vesselina Kasarova has a rich, full tone and clean, accurate runs. She is well partnered by Eva Mei, whose bright but effective soprano carries a good characterization of a dramatically rather thankless role. Tenor Ramon Vargas nails his coloratura and possesses a ringing tone. They are well supported by the secondary principals, Muenchen Rundfunkorchester and the men of the Chor des Bayerischen Rundfunks, all superbly conducted by Roberto Abbado. As an added bonus, the listener can choose between the original happy ending and the dramatically more viable tragic conclusion with which Rossini later revised the opera. –Sarah Bryan Miller

Franco Fagioli and George Petrou - Rossini (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 20, 2016
Franco Fagioli and George Petrou - Rossini (2016) [TR24][OF]

Franco Fagioli and George Petrou - Rossini
Classical | FLAC (tracks) 24-bit/96 kHz | 75:13 min | 1.40 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 17 | Rls.date: 2016

Curiously, Rossini has composed two roles for a castrato: to Alceo in the cantata Il vero omaggio, and that of Arsaces in Aureliano in Palmira, both for Giambattista Velluti, the last castrato internationally renowned opera . Against the Argentine tenor Franco Fagioli has deliberately given up these roles to this album Rossini, preferring to focus on transvestites roles that address sexual ambiguity from another angle. In operas "serious" by Rossini, rarely given today, there are many male characters whose roles were written for singers.
Jacques Offenbach - Gaite Parisienne / Rossini, Respighi - La boutique fantasque (2004) {Hybrid-SACDISO & HiRes FLAC}

Jacques Offenbach - Gaite Parisienne / Rossini, Respighi - La boutique fantasque
Arthur Fiedler / Boston Pops Orchestra
SACD ISO (2.0): 1,07 GB | 24B/88,2kHz Stereo FLAC: 1,19 GB | Partial Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876-66419-2 | Country/Year: US 2004, 1956/1954
Genre: Classical | Style: Romantic, Ballett
Toscanini  - The Television Concerts 1948-52 Vol.5: Franck, Sibelius, Debussy, Rossini, Beethoven, Respighi (2005)

Arturo Toscanini - The Television Concerts 1948-52 Vol.5: Franck, Sibelius, Debussy, Rossini, Beethoven, Respighi (2005)
NTSC 4:3 (720x480) VBR | English (LinearPCM, 2 ch) | 7.22 Gb (DVD9) | 107 min
Classical | Testament

One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.
Eventually he fled Italy for the United States, becoming the first conductor of the newly-formed NBC Symphony Orchestra, with whom he pioneered radio broadcasts and recordings that made him a household name in America until his retirement at the age of 87. He gave the premiere performances of several major works, including Barber's Adagio for Strings and the American premiere of Shostakovich's Seventh Symphony.
Armonia Atenea and Franco Fagioli and George Petrou - Rossini (2016)

Armonia Atenea and Franco Fagioli and George Petrou - Rossini (2016)
MP3 320 kbps CBR | 01:15:20 | 173 MB
Genre: Classical | Label: Deutsche Grammophon

Curiously, Rossini has composed two roles for a castrato: to Alceo in the cantata Il vero omaggio, and that of Arsaces in Aureliano in Palmira, both for Giambattista Velluti, the last castrato internationally renowned opera . Against the Argentine tenor Franco Fagioli has deliberately given up these roles to this album Rossini, preferring to focus on transvestites roles that address sexual ambiguity from another angle. In operas "serious" by Rossini, rarely given today, there are many male characters whose roles were written for singers. Already, in the Baroque era, the role of the "primo uomo" could be entrusted to a woman if we did not have the proper castrato.
Maria Callas - Rossini: Il barbiere di Siviglia (1958/2014) [Official Digital Download 24/96]

Maria Callas - Rossini: Il barbiere di Siviglia (1958) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 130:09 minutes | 2,76 GB
Studio Master, Official Digital Download | Artwork: Digital booklets

As she demonstrated in both Il barbiere di Siviglia and Il turco in Italia, Callas, the great tragedienne, could also turn her skills to comedy. As it happened, the 1956 La Scala production of Rossini's most popular opera did not prove a great success with audiences, but its stars - Callas, Tito Gobbi and Luigi Alva - reassembled in London the following year for this recording. Callas sang the role of Rosina at its original mezzo-soprano pitch and her version of 'Una voce poco fa' - punctuated by an unforgettable 'ma' ('but') in the cabaletta - is a miracle of both elegance and wit.
Maria Callas - Rossini: Il Turco In Italia (1955/2014) [Official Digital Download 24/96]

Maria Callas - Rossini: Il Turco In Italia (1955) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 112:50 minutes | 1,23 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Callas's two comic roles were both in operas by Rossini: Il barbiere di Siviglia and Il turco in Italia. She first played the capricious and flirtatious Fiorilla - a married Neapolitan woman who takes up with a visiting Turk - in Rome in 1950. Five years later, at La Scala, she appeared in a production by Franco Zeffirelli, also, famously, the director of her Covent Garden Tosca and Paris Norma. Gramophone wrote: 'Callas acts vividly, chiding, boasting, melting, and when in typical Rossinian style she is given a 'key' figure, each repetition of it carries, so one thinks, a slightly different meaning. I found myself teased by memories of these little phrases for hours afterwards'.