How ironic that after years fronting the hugely influential but desperately overlooked Hüsker Dü, Bob Mould's first project with new band Sugar, 1992's Copper Blue, would become the most commercially successful project of his career. Of course, it was released just as the seeds sown by his former band were bearing bountiful fruits in the post-Nirvana alternative nation, which provided ample explanation for its phenomenal success.
Sugar's Beaster is actually outtakes from their previous dynamite album, Copper Blue. It comes off as some kind of deranged, ugly sister of that sparking album, a yin to Copper's yang, a violent, angry, and seething wall of aggression with (this time) little concession to Bob Mould's pop prowess.
Arriving after years of sonic bombast in Hüsker Dü, the reflective, acoustic nature of Bob Mould's first solo album, Workbook, was a bold statement of renewal. Like all of Mould's work, it's an intensely introspective record, finding him purging demons left over from the dissolution of Hüsker Dü. Instead of relying on raging guitars, Mould explores a wide variety of styles, from pure pop ("See a Little Light") to reflective folk laced with cellos. It's an astonishing array of styles, and the songs are among Mould's finest.
‘Electric Blue’ is the debut solo album release by Erasure frontman Andy Bell, co-written and produced by Manhattan Clique (Philip Larsen and Chris Smith). Originally released in October 2005 on Sanctuary Records, the album includes the hit single ‘Crazy’ and follow up ‘I’ll Never Fall In Love’, as well as duets with Jake Shears (Scissor Sisters) and Claudia Brucken (Propaganda/Act). The new 3 CD 2017 deluxe version of the album (previously unavailable for a decade) features over 200 minutes of music, includes unreleased tracks and remixes, as well as updated 2017 remixes. It also includes a brand new continuous 45 minute dub mix of key album tracks, freshly reimagined by Manhattan Clique, as well as the remastered version of the original album…