Symphony No.1 Brahms

Kalinnikov - Symphony No.1 / Brahms - Symphonie Nr.1 (Czech PO / Vienna State Opera Orchestra - Scherchen) - 2003

Kalinnikov - Symphony No.1 | Brahms - Symphonie Nr.1 (Czech Philharmonic Orchestra | Vienna State Opera Orchestra - Scherchen)
Classical | EAC | FLAC, IMG+CUE, LOG | Covers | 1CD, 387 MB
Label: Archipel | Catalog Number: ARPCD 0211 | TT: 79'50''

EMI brought out the Brahms Symphony in its Great Conductors of the Twentieth Century series where it joined some other famous Scherchen discs – notably Beethoven’s Eighth Symphony, Haydn’s No. 100 in G and Stravinsky’s Firebird review. Scherchen’s live recording of the Kalinnikov with the Czech Philharmonic has formed part of Tahra’s Scherchen sets. So neither of these performances constitutes terra incognita for admirers of this conductor, who will know, only too well, that when Archipel claim that these 24 bit 96 kHz (whatever that is) restorations derive "from the original sources" the truth is nothing of the kind.
Orchestra of St. Luke's, Pablo Heras-Casado - Tchaikovsky: Symphony No. 1 Op. 13; The Tempest Op. 18 (2016)

Tchaikovsky: Symphony No. 1 'Winter Daydreams' Op. 13; The Tempest Op. 18 (2016)
Orchestra of St. Luke's; Pablo Heras-Casado, conductor

EAC | FLAC | Image (Cue&Log) ~ 286 Mb | Mp3 (CBR320) ~ 159 Mb | Artwork included
Genre: Classical | Label: Harmonia Mundi | # HMC902220 | Time: 01:08:20

Pablo Heras-Casado enjoys an unusually varied conducting career—encompassing the great symphonic and operatic repertoire, historically informed performance and cutting-edge contemporary scores. He has served as Principal Conductor of Orchestra of St. Luke’s since 2011, now extended to September 2017. OSL began as a chamber ensemble based at The Church of St. Luke in the Fields in Greenwich Village. Today, St. Luke’s Chamber Ensemble consists of 21 virtuoso artists who perform a diverse repertoire and make up OSL’s artistic core. harmonia mundi are proud to release OSL's debut album for the label featuring two of Tchaikovsky's earliest notable works, both of which are dramatic and vibrant: Symphony No. 1, 'Winter Dreams' and 'The Tempest', a sprawling and turbulent seascape.
Herbert Von Karajan, VPO - Dvorak: Symphony No.8; Brahms: Symphony No.3 (1962/65) [Japan 2011] PS3 ISO + Hi-Res FLAC

Herbert Von Karajan, Vienna Philharmonic Orchestra - Dvorák: Symphony No.8; Brahms: Symphony No.3 (1962/65)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 69:57 minutes | Basic covers | 2,04 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Basic Covers incl. | 1,4 GB
Japanese Remastered Reissue '2011 / Esoteric Company, Japan # ESSD-90036

Karajan's Decca recording project marked a new era. Elegant performances inscribed with the long and close relationship between Karajan and the Vienna Philharmonic.
Budapest Festival Orch, Ivan Fischer - Brahms: Symphony No. 1 (2009) [Official Digital Download 24/192]

Budapest Festival Orch, Ivan Fischer - Brahms: Symphony No. 1 (2009)
FLAC (tracks) 24-bit/192 kHz | Time - 67:20 minutes | 2.75 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Brahms never made a secret of the inspiration he drew from the Beethoven symphonies, but before he published his first symphony - inspired by Beethoven's fifth and ninth - he had struggled for no less than fourteen years with it. In the meantime he wrote many more pieces and his Variations on a theme by Haydn are considered to be a preliminary exercise before venturing on to the first symphony. The opening piece of this recording, the Hungarian Dance No. 14, goes back to Brahms as a young cafe pianist, when he and his father earned a bit on the side in bars in the red-light district of Hamburg and where he first heard Hungarian gipsy music. It was this experience that gave birth to Brahms' lifelong attachment to and admiration for this rich folk music style.
Royal Stockholm PO, Sakari Oramo - Carl Nielsen: Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)

Carl Nielsen - Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)
Royal Stockholm Philharmonic Orchestra; Sakari Oramo, conductor

EAC | FLAC | Image (Cue&Log) ~ 327 Mb (incl 5%) | Mp3 (CBR320) ~ 179 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-2048 SACD | Time: 01:12:28

The second installment in Sakari Oramo's superb hybrid SACD cycle of the symphonies of Carl Nielsen on BIS presents the Symphony No. 1 in G minor and the Symphony No. 3, "Sinfonia espansiva," two ruggedly independent works that reflect the composer's late Romantic style yet point to the modernism to come. While the Symphony No. 1 was influenced by Brahms and offers a rich harmonic language, propulsive rhythms, and a fairly homogenous orchestral palette, the Symphony No. 3 is striking for its reliance on unfolding counterpoint and long-breathed lines, and most notable for the use of wordless parts for soprano and baritone voices in the pastoral slow movement. These performances by Oramo and the Royal Stockholm Philharmonic Orchestra are exceptional for their stunning power and spacious feeling, though the crisp details and focused sound quality will be the biggest draw for audiophiles.
Anton Bruckner - Günter Wand / Kölner RSO - Symphony No.1 (1989)

Anton Bruckner - Symphony No. 1 in C minor Vienna Version 1890/91
Kölner Rundfunk-Sinfonie-Orchester / Günter Wand
EAC+LOG+CUE | FLAC: 200 MB | Full Artwork: 93 MB | 5% Recovery Info
Label/Cat#: RCA Victor "Gold Seal" # GD 60076 | Country/Year: Germany 1989, 1982
Genre: Classical | Style: Romantic

…In his late years, Wand restricted his repertoire almost exclusively to the symphonies of Anton Bruckner (which he had never conducted until he was over 60), Schubert, Brahms, Beethoven and Mozart. Wand regarded Bruckner as the "most important symphonist after Beethoven". Wand's biographer Wolfgang Seifert believes that "it is no exaggeration to say that Günter Wand has made an indispensable contribution toward the understanding of Bruckner in our time."
Felix Draeseke - Claudius Tanski / Wuppertal Symphony Orchestra / Hanson - Symphony No.1 op.12 & Piano Concerto op.36 (1999)

Felix Draeseke - Symphony No.1 op.12 & Piano Concerto op.36
Claudius Tanski, piano / Wuppertal Symphony Orchestra / George Hanson
EAC+LOG+CUE | FLAC: 287 MB | Full Artwork: 104 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 335 0929-2 | Country/Year: Germany 1999
Genre: Classical | Style: Romantic, Piano, Symphony

"Felix August Bernhard Draeseke was a composer of the "New German School" admiring Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.During his life, and the period shortly following his death, the music of Draeseke was held in high regard, even among his musical opponents. His compositions were performed frequently in Germany by the leading artists of the day, including Hans von Bülow, Arthur Nikisch, Fritz Reiner, and Karl Böhm. However, as von Bülow once remarked to him, he was a "harte Nuß" ("a hard nut to crack") and despite the quality of his works, he would "never be popular among the ordinary"." ~Wikipedia
Beethoven: Symphony No. 2 / Brahms: Symphony No. 2 - Royal Concertgebouw Orchestra / Jansons {Hybrid-SACD // ISO & HiRes FLAC}

Ludwig van Beethoven: Symphony No. 2 / Johannes Brahms: Symphony No. 2
Royal Concertgebouw Orchestra - Mariss Jansons
SACD ISO (2.0/MCH): 3,98 GB | 24B/88,2kHz Stereo FLAC: 1,16 GB | Full Artwork | 5% Recovery Info
Label/Cat#: RCO Live # RCO 05002 | Country/Year: Europe 2005
Genre: Classical | Style: Classical Period, Romantic

…got this for the Brahms, which is at best a thoroughly decent performance, nothing more - but the highlight is the excellent Beethoven. The ratings reflect the dichotomy of the two performances and their sonics, an average of 4 for sound seems fair - but the Beethoven warrants a 5 for performance.
Günter Wand Edition - BOXSET 4DVD VOL 2 - Schubert: Symphony No. 5 | Brahms: Symphony No. 1 - DVD 7/8

Günter Wand Edition - BOXSET 4DVD VOL 2 - Schubert: Symphony No. 5 | Brahms: Symphony No. 1 - DVD 7/8
Classical | DVD | with scans | 4,27 Gb (DVD5) | DVD´s FULL No compression
Audio: PCM Stereo | Relesase: August 16, 2005 | Publisher: TDK DVD Video

Few conductors have made a greater contribution to our present-day understanding of Bruckner than Günter Wand (1912-2002).
This first box includes Bruckner symphonies nos. 5, 6 and 8 in their original or restored versions as well as an elegant, but rarely performed Haydn Symphony and the "Unfinished" symphonies by Bruckner and Schubert. Later, TDK released the second box of 4 DVDs including the popular Bruckner Symphonies Nos. 4 and 7 and symphonic works by Brahms and Schubert.
Mendelssohn - A Midsummer Night's Dream, Symphony No 1 (John Eliot Gardiner) (2017) [Blu-Ray]

Mendelssohn - A Midsummer Night's Dream, Symphony No 1 (John Eliot Gardiner) (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 55+97 min | 32,4 Gb
Audio1: English / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD MA / 5.1 / 192 kHz / 10478 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 55+97 min | 6,4 Gb
Audio: English / DTS / 6ch / 48.0 KHz / 24 bits | PCM / 2ch / 48.0 KHz / 24 bits
Classical | LSO Live

Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.