This 29CD set provides a superb introduction to this master of the Barock. He is often suffers in comparison to Bach, Handel and Vivaldi mainly because it is so difficult to know where to start with such a vast body of work. This Brilliant Classics box set makes the Telemann experience all the more enjoyable by making this selection and providing a wonderful window into the world of this great composer.
A broad selection of 33 Overtures (Orchestral Suites) by Georg Philipp Telemann is here collected in one generous 8-CD set. Telemann, one of the most prolific and gifted composers of the 18th century, wrote many charming, graceful suites in the fashion of his time - comprised of a three-part French overture followed by shorter dance movements, chaconnes, character pieces, and more. The historically-informed performance of Collegium Instrumentale Brugense under Patrick Piere shows that these bright, varied works truly rival the suites of Handel and Bach.
Thomas Engel is a former New Zealand rower.
At the 1950 British Empire Games he won the silver medal as part of the men's eight alongside crew members Donald Adam, Kerry Ashby, Murray Ashby, Bruce Culpan, Graham Jarratt, Don Rowlands, Edwin Smith and Bill Tinnock..
This is one of only two complete recordings of Telemann's Paris Quartets available as a single set, and is much superior to the old Bruggen set. The Kuijkens are all very stylish and engaging performers, and they play these works very well.
Telemann wrote a lot of very good chamber music, but these quartets show him at his best. They are full of wonderful melodies, and some amazing rhythmic quirks. If Telemann had not been so prolific, these works would be considered absolute masterpieces on the order of the Brandenburg Concertos of Bach. They are that good.
Gemma Bertagnolli is widely considered one of the leading sopranos in Early Music. Her voice is powerful, lyrical and passionate, always conveying the emotional message of the text. On this recording she joins Collegium Pro Musica and Stefano Bagliano in Cantatas for soprano, recorder and continuo, brilliant works displaying vocal and instrumental virtuosity.
This is a true gem from the Baroque era that is rarely played or recorded. These fantasies for solo violin were written in 1735, only 15 yrs after Bach wrote his infinitely famous Sonatas and Partidas for solo violin. Fans of Bach looking for new music will be happy listening to these fresh works. I really enjoy the imagination and creativity displayed here, plenty of rhythmic diversity and unattached musical ideas to spare.