In 2010 Universal Japan reissued a series of Impulse! classic jazz records on limited-edition CD. 20bit K2 mastering. One of the most accomplished jazz vibraphonists, Terry Gibbs made one of his best small group recordings for Impulse! in 1964. With Kenny Burrell and the strong rhythm section consisting of Sam Jones and Louis Hayes who were at the time working for Cannonball Adderley, Gibbs turns in a superb performance that is bluesy, swinging and modern!
Tubby Hayes was a superior tenor saxophonist from England who played in the tradition of Zoot Sims and Al Cohn, with just a dash of Johnny Griffin and early John Coltrane. This CD finds Tubby holding his own with a top-notch swinging rhythm section (pianist Horace Parlan, bassist George Duvivier, and Dave Bailey) along with guests Clark Terry (on four of the ten selections) and vibraphonist Eddie Costa (on three songs). Whether it be an up-tempo rendition of "Airegin" or a tender "You're My Everything," Tubby Hayes shows that he is an underrated legend. The original six selections are joined by four equally rewarding unreleased performances.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Trumpeter Steve Gut's on the frontline here alongside the legendary Clark Terry and the great Dusko Goykovich – and the younger musician really manages to hold his own, and work well with the two master trumpeters! The setting is a larger group – the RTB Big Band – and all three players get a chance to solo – and the mighty Alvin Queen is in the group on drums, providing a soulful kick that maybe makes the album sparkle a bit more than usual for the RTB – although they've always had a great legacy of work with bigger name players, especially American ones. Titles include "Mr CT", "Black Triangle", "Stemi", "Summer Afternoon", "On The Road", "Some Memories", and "Blues To Clark".
Featuring the recording debut of Big Star's Chris Bell, this outrageously enjoyable blend of psychedelic rock, Memphis soul and dirty R&B kicks off with one of the most audacious and successful Beatles covers ever. Terry Manning was a key figure in '60s Memphis music-making – from his experience at Stax (learning from the likes of Isaac Hayes, Ike & Tina Turner, Willie Mitchell, Booker T. Jones, Eddie Floyd, Al Green, Otis Redding, The Boxtops, Percy Sledge, The Staple Singers, Mississippi John Hurt, etc.) he became the Ardent Studios engineer/producer, and co-owner of the Ardent Records label that released the Big Star albums. Originally released on Stax's Enterprise label, this record is Manning's only solo work (he engineered, produced, and played almost all of the instruments) and features a feast of fuzz guitar, sweet vocals and funky rhythms that makes its long overdue CD debut here (complete with full liner notes and three bonus tracks), Home Sweet Home is a tongue-in-cheek blast from start to finish, and guaranteed to thrill fans.