This is the very 1st Best of Joshua Bell album to ever be released! Highlighting the essential moments of Joshua Bell's career on Decca, this release offers full insight into this violinist s recordings. The Best of Joshua Bell: The Decca Years is a conceptual release, with each disc having a theme to its repertoire: The Concertos, Sonatas & Chamber Music, and Favorites! The perfect collection for any time! Featuring Masterpieces by Brahms, Mozart, Massenet, Prokofiev, Shostakovich, Wieniawski, Fauré, Kreisler, and more! Joshua Bell is a living legend, having created more than 30 albums during the course of his career. Since making his concerto debut at the tender age of fourteen with Riccardo Muti and the Philadelphia Orchestra, Bell has established himself as one of the few great classical stars of the modern age.amazon.com
Doug Sahm once sang, "You just can't live in Texas if you don't have a lot of soul," and, as a proud son of the Lone Star state, he seemed bent on proving that every time he stepped in front of a microphone. Whether he was playing roots rock, garage punk, blues, country, norteño, or (as was often the case) something that mixed up several of the above-mentioned ingredients, Doug Sahm always sounded like Doug Sahm – a little wild, a little loose, but always good company, and a guy with a whole lot of soul who knew a lot of musicians upon whom the same praise could be bestowed. Pulling together a single disc compilation that would make sense of the length and breadth of the artist's recording career (which spanned five decades) would be just about impossible (the licensing hassles involved with the many labels involved would probably scotch such a project anyway), but this disc, which boasts 22 songs recorded over the course of eight years, is a pretty good starter for anyone wanting to get to know Sahm's music.
This 33-track overview plays like an expanded version of 1999's Under the Milky Way: The Best of the Church. The two-disc Deep in the Shallows: The Classic Singles Collection includes all of the obvious hits like "Unguarded Moment," "Under the Milky Way," "Ripple," and "Metropolis," while incorporating key tracks from the band post-1999 like "Numbers" (After Everything Now This), "Song in Space" (Forget Yourself), and "Block" (Uninvited, Like the Clouds). While the recent remasters of all of the original recordings remain the most solid recommendation for dream pop/alternative rock fans who missed the boat the first time around, this Classic Singles Collection is the perfect gateway drug.
This is a great compilation of the legendary German metal band Accept's earlier, best years! These were arguably the best years of the Heavy Metal genre, when power riffs, well structured and technical lead guitar work, and powerful vocals ruled the day. If you like REAL metal, get this!
Part of Blue Note's quality series of artist samplers, The Best of Hank Mobley surveys the great tenor saxophonist's prime stretch from 1955-1965. Originally overshadowed by the likes of Joe Henderson, Wayne Shorter, and, of course, Coltrane, Mobley nevertheless gained the respect of his peers, thanks to his richly fluid phrasing and smooth, caramel tone – in lieu of trying to impress you, he seduced you slowly from afar. And while one is advised to dive in directly with any one of his Blue Note discs – especially Soul Station, No Room for Squares, and A Slice of the Top – this ten-track overview still works well as a launching pad. Backed by a stellar array of "Blue Note" regulars like Lee Morgan, Curtis Fuller, Billy Higgins, Freddie Hubbard, and Horace Silver, Mobley ranges effortlessly from early hard bop favorites ("Funk in a Deep Freeze") to mature, solo-rich material from the mid-'60s ("The Turnaround"). In between, there are two stunning originals from his banner year of 1960 ("This I Dig of You," "Take Your Pick") and one of the best of his several bossa nova numbers ("Recado Bossa Nova").