Essential: a masterpiece of progressive rock music
On this extensive triple-LP set, the key to sorting out the wheat from the chaff is song length. The longer the song, the better it is. And I will not beat about the bush: the title song is one of the best epics ever written. Not the most original, but certainly the most beautiful.
The attractive thing about this set is how THE FLOWER KINGS gradually introduce the themes that eventually come together in the final track. Such a presaging is very much in the symphonic tradition. I love listening to a record where themes are introduced, varied and reprised; it never fails to please. This is such a record, if you’re patient.
The Tyler, TX-raised Bugs Henderson took his cues from the wealth of great roadhouse blues and blues-rock guitarists that were around Dallas, including Freddie King, Johnny Winter, and literally dozens of others on the Texas music scene of the '60s. Henderson has cited James Burton, Ricky Nelson's guitarist, as a major influence.
There are a few artists out there that, without trying to change the world, succeeded in accomodating the old recipes to the present day. In the domain of Progressive rock, The Flower Kings is the perfect example. Following a path not unsimilar to Spock's Beard's, the swedish band led by guitarist Roine Stolt achieved to leave its mark in the middle of the Nineties, accompanying the rebirth of Progressive rock. It remains on top of the genre nowadays. It is no surprise then if, after having paid tribute to most of the giants of the Golden Seventies, the artists of today tend to care about that second generation as well. That's how the Musea label and the Colossus fanzine created an album in four CDs, tailor-made for the excellency of The Flower Kings: "A Flower Full Of Stars - A Tribute To The Flower Kings".
Adam & Eve is the eighth studio album by the progressive rock band The Flower Kings. A Japanese edition contained an extra disc which includes the bonus tracks from The Rainmaker bonus disc (the first six tracks), as well as three songs recorded during the Space Revolver sessions. The album has the only appearance of Pain of Salvation's Daniel Gildenlöw as a full-time band member (he appeared on both Unfold the Future and Meet the Flower Kings as a guest) and is the last album with the drummer Zoltan Csörsz before his first departure (he later appeared on The Sum of No Evil). The album cover illustration was made by Argentine artist Ciruelo Cabral.