The score to David Fincher's controversial, subversive film Fight Club was composed and performed by the Dust Brothers, whose production and remixing work with artists like the Beastie Boys, Beck, and the Chemical Brothers helped shape the sound of the '90s. Their music for Fight Club reflects their own hip-hop and dance roots, as well as the film's edgy, underground tone in its blend of trip-hop, drum'n'bass, and electro elements.
KeepMoving Records presents the premiere release of The Demons of St. Petersburg by the legendary Ennio Morricone. Directed by Giuliano Montaldo (Sacco e Vanzetti, Giordano Bruno, Marco Polo), the film tells the fictionalized life story of Fyodor Dostoyevsky (Miki Manojlovic) who is caught up with political intrigue and a career crisis resulting from his crippling gambling debts. While trying to finish his latest novel on schedule and reveal an anarchist plot targeting the Tsar, the troubled author must fight his inner demons to move forward in life… The Demons of St. Petersburg marks the latest collaboration between Montaldo and Morricone who had scored the majority of the director's films. The key thematic material includes the propulsive anarchist theme for the assassination plot and a darkly passionate love theme for a string quartet and harp which underscores Dostoyevsky's troubled relationship with his stenographist, Anna.
La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.
La-La Land Records and 20th Century Fox proudly present the remastered and slightly expanded 2-CD release of acclaimed composer John Williams' (JAWS, STAR WARS, RAIDERS OF THE LOST ARK, SCHINDLER'S LIST) orchestral score to the 1992 blockbuster holiday sequel HOME ALONE 2: LOST IN NEW YORK, starring Macaulay Culkin, Joe Pesci and Daniel Stern, and directed by Chris Columbus. Williams builds upon his marvelous HOME ALONE score, giving the Yuletide saga of Kevin McCallister a festive and joyous, Big Apple spin that will have you smiling through the holiday season! Produced by Nick Redman and Mike Matessino, and mastered by Dan Hersch and Mike Matessino, this special release, limited to 3000 units, features exclusive, in-depth liner notes by John Williams historian Mike Matessino. Yesssss!
While director Francis Coppola's potboiling crime drama set against the gloriously tumultuous backdrop of Harlem's famed Cotton Club nightspot of the '20s and '30s didn't quite come together as a cinematic whole, John Barry's efforts at supervising, scoring, and recreating the energetic jive and wail of the era very nearly carry the day. The opportunity was likely a dream come true for the former jazzman turned film scorer; his adaptations of standards by Ellington and Cab Calloway are reverent yet energetic, infused by original music that weaves it into an accessible and rewarding tapestry of time, place, and art. Great soundtrack.
The rare sequel that improves upon its predecessor, Rocky II expands on the uplifting approach exemplified by Bill Conti's immortal "Gonna Fly Now" to create a score that's both more cohesive and more emotional. Writer/director/star Sylvester Stallone affords Conti a wider emotional berth this time around, allowing for poignant, melancholy themes like "Vigil" alongside fist-pumping anthems like the climactic "Overture" – as before, Conti employs little more than solo piano, a small string ensemble, and a potent brass section, and it's to the composer's enormous credit that he can forge such larger-than-life music from relatively few instrumental elements. "Gonna Fly Now" even reappears, this time with a children's choir in tow, and sounds better than ever. Not even Frank Stallone's "Two Kinds of Love" can torpedo this one.
Composer Bill Conti's iconic score for Sylvester Stallone's tale of over-the-hill Philadelphia boxer Rocky Balboa ranks as one of the most memorable and instantly recognizable pieces of film music ever applied to celluloid. The first Rocky is still the best, with classic cues like "Going the Distance," "Fanfare for Rocky," the "Final Bell" and "Gonna Fly Now" – the latter was actually a hit single – eschewing the myriad of questionable AOR songs that would end up cluttering future installments.