Import 25 CD boxset containing 25 of the finest Jazz albums ever released. Each album is packaged in a card wallet, and the box set includes a 40 page booklet in both English and French.
Dr. Cynthia Felton made quite the splash with her self-produced debut, Afro Blue: The Music of Oscar Brown, Jr. (2009). In the spirit of well-assembled theme recordings like Karrin Allyson's Ballads: Remembering John Coltrane (Concord, 2001) and Todd Bishop's Pop Art 4 disc, 69 Annee Erotique, Afro Blue is a solid look at a master's craft of writing lyrics for jazz pieces. Felton treads more familiar territory on Come Sunday: The Music of Duke Ellington, undertaking the project with an embarrassment of supporting artist riches that features Felton in several different format contexts, from bass/voice duet to little big band. In all formats, Felton swings effortlessly, and she comes out swinging on the opening "It Don't Mean a Thing if it Ain't Got That Swing," singing wide-open with no governor…
…On this disc, the quartet plays nine compositions by Ellington and Strayhorn. The interpretations are dominated by the full warm tenor sound of Javon Jackson who is a fantastic young sax man, playing in the Ben Webster tradition here. He is accompanied by the great Mr. Hazeltine, who is the musical director of the record and plays some nice solos, too. Bass and drums are played skilfully, relaxed and with deep feeling by the other two perfect sidemen. Very pleasing and relaxed, that`s the mood of the record, that every jazz fan will like.
With this recording, Monk began his tenure at Riverside Records, which was very fruitful and lasted till around the early sixties when Columbia stole him away. The idea was that Monk was gaining popularity, but he was still a tough act to get used to for a lot of people because of the idiosyncratic compositions and piano style. So they suggested an album of someone else's material, to let those less familiar with Monk get used to his playing before confronting the genius of his writing. And who better than Duke to supply the material–Duke, whose playing, along with James P. Johnson and some of the other stride players, influenced Monk a great deal. ~ Amazon
The Platters sold more records, played more venues, and appeared in more films than any other vocal group of the time. They truly had the Magic Touch. By 1962, the Platters had placed an astonishing 35 songs on the American pop charts. The lead singer, Tony Williams, influenced an entire generation of singers - black and white. This is one of the most impressive legacies in black music. Virtually all of the Platters' classic recordings from 1955 to 1964 were made for one label, Mercury Records, and they're here complete for the first time.