Special guests on the Live in San Diego release include guitarists J. J. Cale, Robert Cray, Doyle Bramhall II and Derek Trucks. The live album marks Clapton's second collaboration with Cale after The Road to Escondido was released on 7 November 2006. Also, the album features the first new live music from Clapton and Cray following Clapton's 1991 live double album 24 Nights. The album, which is available on compact disc, as a digital download and on gramophone record was recorded on 15 March 2007 at the Ipayone Center in San Diego, California during the "Doyle & Derek World Tour" and features a total of 16 tracks.
1999 album from Britain's godfather of blues rock. 13 tracks, including 'White Line Fever' and 'Bad Dream Catcher'. Features guest appearances from John Lee Hooker, Ernie Watts and Coco Montoya.
The phenomenon that was pianist Michel Petrucciani (b. December 28th, 1962, d. January 6th, 1999) is brought to life by this double-feature DVD from Dreyfus Records. Containing the hour-long documentary (Non-Stop Travels With Michel Petrucciani) that aired on many PBS television stations and a concert performance (Michel Petrucciani Trio: Live In Concert) in Germany, this wonderful DVD brings clarity to the person and musician that was Petrucciani. The single strongest emotion that keeps pouring forth as Petrucciani speaks and plays is his enormous talent and forever optimistic and humorous demeanor trapped in a body with a degenerative bone disease that would fail him before he turned forty.
Michel Petrucciani's second recording (following the obscure Flash, put out by the French Bingow label the previous year) finds the pianist at age 18 already a powerful force. Assisted by bassist J.F. Jenny Clark and drummer Aldo Romano, Petrucciani is more heavily influenced here by Bill Evans than he would be later. The trio performs two originals apiece by the pianist and drummer Romano, plus "Days of Wine and Roses" and a romp on "Cherokee." This CD shows that Petrucciani was a brilliant player from the start.
Guitarist Herb Ellis still considers this to be one of his personal favorite recordings. Ellis was reunited with his old boss Oscar Peterson and, with the assistance of Peterson's trio of the period (with bassist Sam Jones and drummer Bobby Durham), the two lead voices often romp on the jam session-flavored set. Most of the chord changes are fairly basic (including three blues and "Seven Come Eleven"), and Peterson was clearly inspired by Ellis' presence (and vice versa).
This album is quite unusual. Recorded shortly after Nat King Cole's death, pianist Oscar Peterson takes vocals on all but one of the dozen selections, sounding almost exactly like Cole. Peterson, who rarely ever sang, is very effective on the well-rounded program, whether being backed by a big band (arranged by Manny Albam) on half of the selections or re-creating both the spirit of the Nat King Cole Trio and his own group of the late '50s during a reunion with guitarist Herb Ellis and bassist Ray Brown.
Pianist Oscar Peterson joins up with his old friends, vibraphonist Milt Jackson and bassist Ray Brown, in addition to his drummer of the period, Louis Hayes, for a particularly enjoyable outing. After a throwaway version of the Rolling Stones' "(I Can't Get No) Satisfaction," the all-star quartet performs Jackson's title cut, Benny Carter's ballad "Dream of You," and four standards. Although not up to the excitement of Peterson's best Pablo recordings of the 1970s, this is an enjoyable album.