Reissue with the latest remastering. Comes with liner notes. A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways that are often a bit more organically building and spacious than some of Phil's more intense Rhythm Machine albums – showing a new sensitivity in Woods' music, but one that still has plenty of room for searing, searching solo moments! Titles include "Django's Castle", "A Little Peace", "Brazilian Affair", "I'm Late", "Superwoman", "High Clouds", "How's Your Mama", and "Rain Danse".
A rare snowy day in Nashville, Tennessee set the stage for an even rarer event an intimate concert by rock icon Robert Plant at the War Memorial Auditorium. Performing with his new, Grammy-nominated group aptly titled the Band of Joy (which includes fellow luminaries Buddy Miller and Patty Griffin), Plant played both Led Zeppelin classics and new songs that continue to have an impact on the music scene today…
Robert Plant and The Band of Joy team up for this live set, mounted and filmed at the Artists Den in 2012. The 16 selections include: "Tangerine," "Down to the Sea," "I Bid You Goodnight," "A Satisfied Mind" and much more.
In 1968, a naïve young singer from the Black Country hills in England named Robert Plant was discovered wailing the blues by veteran session guitarist Jimmy Page and bassist/keyboardist John Paul Jones. When Plant recommended his friend John Bonham as the drummer, one of the most successful bands in rock history was born as Led Zeppelin.
For this 1990 set by Phil Woods' Quintet, the altoist welcomed trombonist Hal Crook to his group, joining several longtime members: pianist Hal Galper, bassist Steve Gilmore and drummer Bill Goodwin. Galper's melancholy ballad "Gotham Serenade" and Crook's modal blues "Ixtlan" on this CD contrast with Woods' three originals: "All Bird's Children," the upbeat "My Man Benny" (for Benny Carter) and an enthusiastic "Ole Dude." The quintet's treatments of three standards (all arranged by Crook) practically disguise the tunes, and a particular highlight is the group's version of Benny Carter's "Just a Mood," which pits Woods' clarinet with Crook's wah-wah trombone. A highly enjoyable outing.