This is the Reinhardt mother lode – a six-disc collection of the Gypsy legend's oeuvre stretching from just before to just after World War II. Disc one includes several infectious cuts with vocalist Freddy Taylor, beginning with Stuff Smith's "I'se a Muggin'." Disc six closes with one of Reinhardt and Grappelli's last recording sessions together, which included an unusually dark reading of "Oh Lady Be Good" and a revisitation of the obscure "Bricktop" (the first version appears on disc two). In between are well over 100 marvelous tracks, with sound quality up to Mosaic's (and Michael Cuscuna's) impeccable standards. The booklet contains a learned essay and annotation by Mike Peters, as well as an impressive gallery of photographs, concert posters, and news clippings. Extraordinary, and for Reinhardt's most devoted fans, entirely worth the investment.
Featuring some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes…
The Hot Club Of San Francisco goes Fab! The venerable Gypsy Swing Combo interprets The Beatles on the gorgeous new album 'John, Paul, George & Django. It was only a matter of time before guitarist Paul Mehling focused his creative mojo on Lennon and McCartney's vast and enduring treasure trove of songs. The founder and guiding spirit of the Hot Club of San Francisco, America's longest running Gypsy swing ensemble, Mehling was first inspired to pick up a guitar when …
Legendary jazz bassist Ron Carter has since 2002 led a drum-less trio with the late pianist Mulgrew Miller and guitarist Russell Malone, sometimes referred to as the Golden Striker Trio based on the title of their debut album. Miller left the band in 2012 and was replaced by Donald Vega, a younger and very talented pianist who used to be based in Los Angeles. Cocktails at the Cotton Club is the new trio's first CD, recorded live in concert at The Cotton Club in Tokyo, Japan. Due to the instrumental mix and stylistic choice, the group has an atmosphere of high quality chamber music. The dynamic range is somewhat limited and there's nothing flashy or bombastic about their music, but that is on purpose and that is not the point. The point is in the art of improvisation and interplay. The real excitement starts after the themes are stated, and attentive listeners will be rewarded by the wealth of ideas expressed and the beauty of the three masters' improvisation.
These previously unreleased live recordings by Rory Gallagher were made for the German TV series Beat Club. Recorded over three different appearances in the early seventies they capture Rory Gallagher in his element as a superb live performer. The tracklisting focuses on his first two solo albums and contains many classic songs that would carry on playing throughout his career.
Guitarist Django Reinhardt and violinist Stephane Grappelli hold unique places in the history of jazz music. As the mainstays of the Quintet of The Hot Club Of France, they are the first European musicians to directly influence what was in their heyday a completely American-based genre. The tracks on this compilation have been digitally re-mastered and feature all their biggest tunes.
While director Francis Coppola's potboiling crime drama set against the gloriously tumultuous backdrop of Harlem's famed Cotton Club nightspot of the '20s and '30s didn't quite come together as a cinematic whole, John Barry's efforts at supervising, scoring, and recreating the energetic jive and wail of the era very nearly carry the day. The opportunity was likely a dream come true for the former jazzman turned film scorer; his adaptations of standards by Ellington and Cab Calloway are reverent yet energetic, infused by original music that weaves it into an accessible and rewarding tapestry of time, place, and art. Great soundtrack.