It's 1922; somewhere in Australia. When a Native Australian man is accused of murdering a white woman, three white men (The Fanatic, The Follower and The Veteran) are given the mission of capturing him with the help of an experienced Native Australian (The Tracker). So they start their quest in the outback, not knowing that their inner wrestles against and for racism will be more dangerous that the actual hunting for the accused.
Alicia Bridges scored big in 1978 with "I Love the Nightlife (Disco 'Round)," a celebratory disco single that reached number five on the Billboard Hot 100. It was her biggest moment in music and made her self-titled debut, released on Polydor, a definite part of the feel-good disco scene of the late '70s. The blues-tinged "Diamond in the Rough" and "Broken Woman" were mildly successful, but Bridges never regained her disco reign. She released one more album for Polydor, 1979's Play It as It Lays, then settled into a series of independent recordings and compilations, such as 1984's Hocus Pocus, 2007's Say It Sister and 2008's FauxDiva XX – that explored a wider range of inspirations. "I Love the Nightlife" has been included on dozens of disco compilations, including the soundtrack for The Last Days of Disco (which also features an update from Masters at Work's Nuyorican Soul project.
Recorded at The Top of the Plaza in Rochester New York on February 6 1973, remains one of the most sought-after and influential shows ever recorded by Buddy. Syndicated by PBS in that year, it was the first time thousands of drummers had been exposed to Buddy in a full length concert setting, and many drummers continue to name this program as a primary influence on their own playing.
If you like your metal with lots of keyboards and classically-inspired speed-metal guitarwork - this is NOT the album for you. PARAGON play metal so old-school it hurts. There are similarities here to Grave Digger, Manilla Road, Omen, and even old Mercyful Fate. The common denominator here is METAL, or make that METAL!!! These guys do their metal the old fashioned way, with steel smoldering riffs, shout-along choruses, and solos that will peel the paint off your car.