The DVD is packed with over 22 HOURS of education, trading techniques and live trade examples. I recorded live trades so you can see every detail of why I make the trading decisions that I do! I don’t just teach you how I do it; I show you exactly how I do it! While the first four chapters lay the groundwork for everything that goes into my preparation before I even make a trade, the last eight chapters are where I dive into the specific strategies I use daily.
In this 2-hour video from bluegrass guitar veteran Timm Stafford you will learn the fundamental skills that will make you a better guitar player no matter what your current ability level. Tuning, Timing, Tone, Technique, and Taste are all essential skills that guitar players from beginners to professionals need to address on a regular basis. Tim's masterful presentation of these concepts and the practical, time tested methods he teaches you on this video will not only help you understand, improve and maintain these skills, but will advance your overall guitar skills considerably.
The album opens with bombs exploding and Tim's voice climbing into the sky as he straighfrowardly, almost weepingly, derides war - THE war - a protest song if there ever was one, but beautiful nonetheless. Anger never turns to noise. There is a touch of madrigal in Kight-Errant. Here, Tim tears through the heart as well as puts out some powerfully vivid lyrical imagery on "I Never Asked to Be Your Mountain", one of my desert-island 10 songs; maybe 5, if they make me pick. His voice, reportedy on the 16th-or-so take of a 6-minute burning coal in which he sings almost without break, flies in the stratosphere, then out of orbit, once breaking into ascending but still-in-tune sobs. He experiments with harpsichords on "Carnival Song"….
After the fairly straightforward West Coast folk rock of Tim Buckley and Goodbye and Hello, 1969’s Happy Sad finds the young singer-songwriter transitioning to a more experimental sound. Featuring killer guitar work from Lee Underwood, stellar vibraphone from David Friedman and a much stronger jazz bent, the record marks the beginning of Buckley’s exploration of atmosphere, mood, and octave bending vocal gymnastics, elements that would take an even more avant garde turn on subsequent albums. After 40 years, how does Happy Sad stand up? Only a song-by-song analysis will reveal the answer..
Nell'estate del 1968 Buckley torna in Inghilterra per tenere un primo concerto londinese e, a causa dei costi di viaggio e di soggiorno, è costretto a portare con sé solo alcuni dei componenti del suo gruppo. A splendida testimonianza dell'evento resta il doppio postumo Dream Letter - Live In London 1968 ricavato dal concerto del 10 luglio alla Queen Elizabeth Hall, con Tim supportato da Underwood alla chitarra, da Friedman al vibrafono e dal bassista dei Pentangle Danny Thompson che, pur non avendo mai suonato prima di allora con Buckley, grazie alla naturale predisposizione per quello stile musicale e all'indubbia classe, riesce comunque a calarsi alla perfezione nel suono del gruppo……